Two new effect plug-ins coming your way – echo and morph
Syncersoft tells us that Analog Warp is a warp and morph effect designed to deliver the clear, penetrating sounds favoured by live musicians. They believe that it’s ideal for use in trance, dance, techno, dubstep, electronica, drum n bass, big beat, dub, reggae and all other styles. Syncersoft says that the LFO modulation section was designed specially for Dubstep genre but can be used in other styles too.
The plug-in contains:
- Main section.
- Filter section.
- LFO section.
- Morph section.
Pricing and Availability:
Free download.
More information:
PSP Echo – the echo processor previously only available within Wave Machine Labs’ Auria 48-track DAW iPad app – is now available in standard plug-in form for use in your favorite DAW.
Echo’s powerful and unusual features combined with its smooth operation makes it ideal for all kinds of creative uses from simple slap back and sustain effects through ping-pong delays and spacious echoes. Use the delay sliders to add special tape echo effects for even more unique effects. The tape wow control and built in ducker further extend the creative potential of PSP Echo.
Internally, the Echo is like a combination of four mono tape delays — two for the initial ping-pong pre-delay and two for the main stereo echo. PSP Echo also comes with a set of useful factory presets that cover a wide range of the plug-in’s settings.
PSP Echo is available in AudioUnit, VST, RTAS AAX formats for Mac OSX (Universal Binary); and VST, RTAS and AAX for Windows.
Three new nice virtual products – Sequencer, Compressor and EQ Plug-in
Loopmasters has introduced the Realstrings Online Loops Sequencer, a web-based sequencer by Chris Savage, offering a new way to demo loops from Realstrings sample packs. The sequencer allows you to play with some of the loops before you decide to buy, so you get a better idea of whether your music would benefit from these packs than you might get from the usual audio demos.
We are always looking at new ways to showcase loops packs; here’s an innovative tool from string loops producer Pete Whitfield at realstrings.com – an online loops sequencer.
For loops packs that are construction kits, what better way to try before you buy? Sequence and layer the loops to see how they work in an interactive, musical context.
An iPad version is coming soon, plus some more functionality, based on user feedback.
More information: LoopBlog
The CT5 is a revision of their popular CT4 compressor. The sonic characteristics that made the CT4 such a versatile and easy-to-use compressor remain intact. ‘The core sound remains 99% the same; I’m tweaking one of the internal filters for the better and improving the dynamic range of the compression circuit,’ says Steven Massey.
The new model improves on a good thing by adding a more aggressive, higher ratio compression curve option, a wet-dry signal blending control, and sidechain input capability. Further, Steven explains, ‘The highest compression setting on the CT4 is equivalent to about 8 on the CT5, even without the limit option enabled. Thus, more compression is available to the user, which is, of course, better.’
Many of these new features were implemented due to customer requests. ‘We encourage feedback, not just from the beta testers, but from everyday users,’ says the newest guy at Massey Plugins, Kevin Weber. ‘I truly enjoy checking in on our web forum and seeing what folks have to say. Sure there are some unrealistic requests, but some spot on ones as well. We take those ideas to heart, even the crazy ones.
High-Resolution AAX EQ Plug-in For Pro Tools
Developed by the creator of the parametric EQ, George Massenburg,Avid says that the new Massenburg DesignWorks (MDW) Hi-Res Parametric EQ Plug-In for AAX continues to define the state-of-the-art in digital equalization. Here’s all the details in their own words…
Designed for Pro Tools|HD systems, version 5 offers new AAX DSP and AAX Native support, giving operators the flexibility to use the EQ across the entire Pro Tools product line, including Pro Tools|HDX systems. With its nearly unmeasurable low distortion, unprecedented clarity, unmatched smoothness, consistent EQ parameter representation, and superb high-frequency response (especially near Nyquist frequency at 44.1/48k), MDW Hi-Res Parametric EQ is designed for optimal definition in the mixing environment.
MDW Hi-Res Parametric EQ operates in double precision 64-bit floating point processing to take advantage of the maximum capability of the ProTools system. This new generation plug-in emulates the constant shape reciprocal filter curves of Massenburg’s legendary GML 8200 equalizer — the industry-standard reference. The plug-in offers a choice of three or five bands of equalization (both versions support the ultra-wide 10 Hz to 41 kHz frequency range) to target certain frequencies, or conserve DSP resources when only three bands of EQ are needed.
Professional Features
MDW Hi-Res Parametric EQ offers a number of features to help achieve better mixes. It allows viewing the frequency grid in 6, 12, or 24 dB resolution for more accurate representation of the equalizer settings. It also offers various filter types and a wide selection of Q and frequency values.
IsoPeak lets the operator quickly isolate and sweep through the frequency spectrum to find a targeted frequency quickly, a benefit of parametric equalization. One can also toggle between two EQ band settings using A/B snapshots, copy one setting to the other, and invert the phase of a track. And when used with Avid control surfaces, the EQ organizes the bands into ergonomic groups on the channel strips.
High-Resolution Filtering
MDW Hi-Res Parametric EQ 5.0 assures true high-resolution operation. The plug-in delivers double-precision 64-bit processing for vanishingly low distortion for optimal clarity and transparency (think natural-sounding). It also provides high-resolution 96 kHz sample-rate processing for audio recorded at 48 kHz or 96 kHz, and 192 kHz sample-rate processing for 92 kHz audio, allowing for maximum resolution, increased headroom, and fewer artifacts, including lower noise typical of generic equalizers. And with variable Qs (adjustable bandwidths) from 25.6 (1/18 of an octave) to 0.1 (6-2/3 octaves), MDW Hi-Res Parametric EQ 5 delivers unmatched precision and maintains predictable filter curves.
Excellent DSP Efficiency
MDW Hi-Res Parametric EQ 5 allows the operator to select five bands of EQ for enhanced efficiency on Pro Tools|HDX systems or three-band mode for even greater instance counts. On Pro Tools|HDX, the five-band version delivers seven, eight and three instances for 48 kHz, 96 kHz and 192 kHz, respectively, while the three-band version delivers instance counts of ten, eleven and five for sessions of 48 kHx, 96 kHz and 192 kHz, respectively.
- Wide frequency selection, from 10 Hz to 41 kHz, with variable Q and choice of three- or five-band EQ
- Double-precision 64-bit processing for unprecedented clarity
- Emulates GML 8200 constant shape reciprocal filter curves – the industry-standard reference
- IsoPeak(r) functionality quickly solos a target frequency quickly and precisely
- A/B snapshots allow settings comparisons
- Supports both AAX and AAX Native plug-in formats
System Requirements
AAX and AAX DSP versions require Pro Tools version 10.2 or later. AAX DSP plug-in requires Pro Tools|HDX.
Pricing and Availability:
See Avid website.
More information:
bx_stereomaker plug-in creates a virtual S signal with analog style filters
Make Any Mono Signal Stereo –
Brainworx lets us know that bx_stereomaker creates a virtual S signal with analog style filters using advanced digital science. They say that you can solo this virtual S signal and that bx_stereomaker will enhance any mono signal to stereo, while allowing you to balance the center of the stereo signal and paying attention to the frequency range of your signal.
A spokesperson told us, “We call this release a ‘public beta’ just like we do with all brand-new plugins. We always test our plugins internally, of course, but with almost countless different setups out there we cannot test every possible setup. This release is an unlimited fully functional version and can be tested and bought from now on.”
Pricing and Availability:
$95. ($129 after September 15)
More information:
New VSTs and Plug-ins for music creation mix
Vintage Space Chorus VST Demo by Softrave:
Vintage Space Chorus is intended to create unusual stereo chorus space effects good for rock, electronica, disco and experimental styles of music
Price is 11 Eu \ 15 usd
you can purchase plugin here
http://www.tikov.com/softrave/vschorus.htm
New Reason rack extensions – DR-1, AP-12 and VE-3:
Synapse Audio has announced the release of its DR-1, AP-12 and VE-3 Rack Extensions Propellerhead’s Reason.
Synapse Audio Software introduces three high quality Rack Extension effect plugins for Propellerhead’s Reason: DR-1 Deep Reverb, AP-12 Analog Phaser, and VE-3 Vintage Equalizer.
New Synapse Audio Rack Extensions
- DR-1—Inspired by a high-end 1980s outboard reverb, the Synapse Deep Reverb DR-1 delivers a deep, lush sound not found in modern software reverbs. Rather than trying to imitate real spaces, the DR-1 gives an uncolored and pleasant reverb sound that is especially well suited for synthetic material and lead sounds.
- AP-12—The Synapse AP-12 emulates vintage analog phasers, which are composed of a series of phase shifting stages with a feedback path wrapped around them. The phase shifting stages (switchable between 6 and 12 stages) are modulated by a LFO, which can be synchronized to the current song tempo.
- VE-3—he Synapse Vintage EQ-3 is a precise model of a 3-band analog tone stack, as found in late 50s guitar amplifiers. The unique sound of these devices is due to the coupled, passive circuits employed, where changing any parameter affects the entire network in a complex way. This is different from a digital parametric EQ, which operates on just one isolated region of interest.
The DR-1 and AP-12 are available to purchase at 32 EUR each, VE-3 is 25 EUR.
Twin Bass free bass synth plugin:
The Interruptor has released version 1.1 of the Twin Bass bass synthesizer instrument for Windows.
VSTi Bass Synthesizer with a double filter architecture allowing to create rich mid-range bass textures together with a solid sub bass foundation. Also vocal-like timbres can be easily created. Features an extensive modulation matrix and individual outs for the filters.
Twin Bass features
- 2 Oscillators: Sine, Saw, Ramp, Triangle, Pulse, Noise.
- 2 Filters operating in parallel (connection in series is also possible).
- Filter 1: 2 x Low pass, 2 x High pass, Bandpass.
- Filter 2: stereo filter with separate cut-off for left and right side (2 x Low pass, 2 x High pass, Bandpass).
- Feedback loop for the entire filter section.
- Distortion effect with two modes
- hard: metallic distortion sound.
- soft: tube-like warm distortion.
- Modulation
- 3 x LFO, synchronized to host application.
- 3 x ADSR Envelope.
- Matrix: 5 modulation slots connect 12 modulation sources to 26 modulation destinations. Pitch bend, amplifier envelope and filter envelope are pre-wired.
- Process external signals: In Oscillator 2 an external signal can be selected as the waveform.
- MIDI learn: Right-click any control to assign a midi control and automate the parameter from your DAW.
- Monophonic modes with glide.
- Polyphonic modes with max. 8 simultaneous notes.
- Individual Outs are available for the two Filters.
- Structure display shows the signal flow of the synth as it results from your settings of the filter and FX routings.
- Pop-up hints: While the mouse hovers over a control a hint appears explaining the function of the control.
The Twin Bass is available to download as a freeware VST plug-in for Windows.
Resonator – new free effect plug-in for Window
Syncersoft has announced the release of its Resonator free effect plug-in for Windows.
Resonator is resonance and morph effect designed to deliver the clear, penetrating sounds favoured by live musicians. It’s ideal for use in trance, dance, techno, dubstep, electronica, drum n bass, big beat, dub, reggae and all other styles.
LFO modulation sections was designed specialy for Dubstep genre but can be used in other styles too of course.
The plug-in is a free download for Windows (VST). Note that the installer of this plug-in includes optional toolbars. A personal licensed version without toolbars is available at a donation of $10 USD.
Flux Delay – new dual modulated delay VST effect plug-in
SonicXTC has released Flux Delay, a dual modulated delay VST effect plug-in for Windows.
Flux Delay is designed to re-create the classic high end studio effect chain of two independent stereo delay units processing a signal at the same time. By doing this producers can enhance the feeling of stereo space and/or make one instrument sound like two different instruments playing at the same time.
The Flux Delay allow musicians to craft the tone of each delay unit separately. The user can preserve the highs on one delay and emphasize the low end on another. The Flux Delay also allows producers the ability to create unique LFO waveforms, which can independently transform each ping pong delay over time.
Highlights:
- Dual stereo delay units.
- Dual variable filters.
- Dual step LFOs.
- 4 Band Parametric EQ.
- 128 user presets.
- MIDI automation.
Price: $29.99.
Punch Evolved – new compressor effect plug-in for Windows
Minimal System Instruments has released Punch Evolved, a compressor effect plug-in for Windows.
The original Punch compressor is one of Minimal System Instruments most popular and respected plugins. Punch is an up-to-date version of one of the all time classic analogue compression and limiting processors, the 1176AE.
The new Punch Evolved plugin takes this highly respected processor even further with a completely redesigned engine and the addition of new sound shaping features such as Mid/Side processing, EQ, and Gate sections.
Punch Evolved features
- Ultra-fast attack time.
- Unique Analogue Modelled characteristics.
- FET Gain Reduction Emulation.
- Input & Output Gain Adjustment Knobs with adjustable Attack and Release Settings.
- An array of ratio’s including 2:1, 4:1, and 8:1 perfect for compression duties – but there is also the 20:1 ratio designed for full limiting applications.
- Mid/Side Processing.
- Gate with controls for Threshold, Attack, and Release.
- EQ with controls for Low/Mid/High.
- Custom Output Transformer Emulation design.
- Full automation capabilities.
- Flexible VU metering options.
- LED Visual Feedback.
- Professionally designed GUI.
- Fantastic Presets produced by Movie Iga and Kendal Osborne.
- Based on the 1176AE Limiting Amplifier Compressor.
- Fantastic on drums!
The Punch Evolved plug-in for Windows (VST) is available to purchase for £19.95 GBP.
The popular Alloy mixing suite gets a major update
iZotope has announced the first major update to its Alloy mixing tools suite, since first introducing it in 2009. With Alloy 2, mixers can experience a number of new sound shaping capabilities, as well as improved ergonomics, low CPU usage, and zero latency operation. First time customers of Alloy have a limited window to get a significant discount. Alloy 2 will be available for $149 until September 6, 2012 after which, its suggested retail price will be $199. (iZotope customers who purchased Alloy 1 on or after June 27, 2012 will receive a free upgrade to Alloy 2 upon release, and a special upgrade price of $79 will be available for all Alloy1 customers who purchased before June 27, 2012).
Alloy is an advanced mixing suite that combines six essential tools in one self-contained and completely configurable plugin. Applications abound for mixers, producers, remixers, and post/broadcast professionals. Plugin formats include Pro Tools 7.4+ (RTAS/AudioSuite), AAX, VST, VST3, Audio Unit, and DirectX.
“A modern twist on classic mixing, Alloy 2 takes the traditional channel strip and brings it into the future with powerful sound-shaping tools, exceptional sound quality, and a streamlined workflow. Thoughtfully designed for mixing purposes across the music, audio, post and broadcast industries, Alloy 2 is perfect for engineers, musicians, and producers looking to sculpt their sound while addressing common mix issues.”
Key Features
Get six powerful tools in one integrated plug-in:
– Equalizer, Dynamics, Exciter, De-Esser, Transient Shaper and Limiter
– Achieve exceptional sound quality, balancing vintage emulation with digital precision Hear results immediately with zero latency performance, whether tracking in real-time or in the midst of a mix session
– Visualize mixing decisions with rich meter displays to guide the way
– Start fast, then go deep with over 250 presets and a tweaker’s paradise of advanced controls.
What’s New for Alloy 2?
Fans of Alloy 1 will benefit from Alloy 2’s sonic enhancements, highlights of which include a redesigned Exciter module, a revamped multiband Transient Shaper, a host of new EQ filters, including Treble and Bass Baxandall filters, and more. Alloy 2 users will also click less to achieve more thanks to both a fully overhauled user interface, enlarged to make more controls accessible, and a new Overview panel that dynamically adjusts to show only the most relevant settings of the modules in play.
With low CPU usage and zero latency operation, Alloy 2 can be used again and again across a wide range of tracks and buses, making it a perfect mixing complement to iZotope’s flagship mastering suites, Ozone 5 and Ozone 5 Advanced. To this end, Alloy 2 also features an internal Meter Tap, which provides immediate visual feedback from Alloy 2’s tracks and buses in the Ozone5 Advanced Meter Bridge.
New stuff: Punch Evolved compressor VST
Minimal System Instruments releases Punch Evolved compressor VST for Windows
The original Punch compressor is one of Minimal System’s most popular and respected plug-ins and is an up-to-date version of one of the all time classic analogue compression and limiting processors, the 1176AE. They say that the new Punch Evolved plug-in takes this even further with a completely redesigned engine and the addition of new sound shaping features such as Mid/Side processing, EQ, and Gate sections.
Features:
- Ultra-fast attack time.
- Unique Analogue Modelled characteristics.
- FET Gain Reduction Emulation.
- Input & Output Gain Adjustment Knobs with adjustable Attack and Release Settings.
- An array of ratio’s including 2:1, 4:1, and 8:1 perfect for compression duties – but there is also the 20:1 ratio designed for full limiting applications.
- Mid/Side Processing.
- Gate with controls for Threshold, Attack, and Release.
- EQ with controls for Low/Mid/High.
- Custom Output Transformer Emulation design.
- Full automation capabilities.
- Flexible VU metering options.
- LED Visual Feedback.
- Professionally designed GUI.
- Fantastic Presets produced by Movie Iga and Kendal Osborne.
- Based on the 1176AE Limiting Amplifier Compressor.
- Fantastic on drums!
Pricing and Availability:
£19.99
Time to mangle and mutate your audio recordings – Permut8 Presentation
http://soniccharge.com/permut8
Sonic Charge Permut8 lets you modulate, manipulate and mangle your audio in countless ways through the combination of some basic but unique building blocks. The sound of Permut8 is is inspired by primitive digital hardware. Raw and complex but noisy and warm at the same time. Permut8 was launched on August 13, 2012.
Description:
Permut8 is an effect plug-in that embraces the sounds of primitive signal processing hardware. At its core is a 12-bit digital delay with variable sample rate from 0 to 352 khz. The delay is controlled by a programmable processor that allows you to change and modulate the delay time with various “operators”. The input and output stages offers virtual analog components for saturation, limiting and filtering. The sound of Permut8 is raw and complex but noisy and warm at the same time. Permut8 is shipped with 11 “program banks” equalling a total of 320 presets covering a wide range of effects from traditional delays and flangers to beat-repeaters, bit-crushers and yet unheard of circuit bent madness. Use the player on the left to try some of the programs on top of a simple MicroTonic beat.
DATAMASKIN
