This is drum & bass piece performed live using an automated drum kit and other percussion, playing together with a selection of vintage and new analog synthesizers.
All the sound is being generated in real time, the analog synths coming through the main rack mixer and the robotic percussion being recorded by microphones.
List of the main gear used :
Modulars : Roland System 100m (sub bass), Roland System 700 (basses), Doepfer system (stabs and atmospheric sound).
Other Synths : Yamaha CS-10 (more basses), Studio Electronics Omega 8 (chords and atmospheric sound), Korg Monotron Duo (more basses).
If you would like to download the audio file, you can do so at kxnz.bandcamp.com where you can find it in high-quality formats on a pay-what-you-like basis. All proceeds will go towards supporting a trip to London to present a paper about musical robotics at NIME 2014.
Vintage Yamaha PS-20 analog keyboard connected to iPad using Apogee Jam interface, played through Crystalline. Also features iOS apps Animoog, Audiobus and Arturia iSEM. No other effects or processing done.
Crystalline: Shimmer Effects Processor for iPad
The Vermona ER-9 is a rare East German rhythm box. The manufacturer is VEB (Volkseigener Betrieb) Klingenthaler Harmonikawerke.
It’s not programmable, but the presets are free combinable. Every drum sound has its own volume knob, that makes it flexible. Check out that GDR sound
Minimojo is an emulation of an old synthesizer built in Reaktor, available for all registered product owners in the NI Reaktor User Library.
The Juice 3 is not in any way a copy of MONARK. The builder did not have access to or ever used MONARK during the making of Juice 3. Instead, the old ensemble Minimood made by NI in 1999, which has then been modified by several users, has been used as the starting point. I think that the basic structure will be recognizable from that early ensemble.
As the Model D is the most emulated synthesizer the world probably don’t need yet another one. Juice 3 should be seen as a proof of concept; how to emulate the should of vintage synthesizers using the Reaktor environment.
The technology developed for this is called Analog Legacy. Analog Legacy is the theory of modulating all functions in a synthesizer at all frequencies. The key is to find the right balance of the modulation depth for each frequency. Juice 3 is the first attempt to use this theory in practice.
Boom 808 integrates one of the most popular drum machines of the 80’s into the modern mobile producers workflow.
With Boom 808, getting the classic 808 drum sounds into your music has never been easier. Audiobus compatibility, background audio, and audio export options allow Boom 808 to fit into your music without slowing you down.
Personalize your beats with the sound of the 808!
- Step sequencer
- High fidelity audio
- Audiobus and background audio modes
- Record and export live performance to Soundcloud, Audio Copy, email and iTunes file sharing
Boom 808 provides the superb audio quality found in our other Pulse Code apps. Along with the classic drum sounds, Boom 808 has a built in compressor that is tuned to add punch to your drum beats. Soft saturation overdrive rounds out the signal chain adding warm crunch to your beats.
Using Boom 808 with Audiobus allows you to add any number of Audiobus compatible effects as well as record your beats into the app of your choice. Writing beats is easy by using the internal step sequencer or trigger the drums with CoreMIDI. Control your groove with two swing variations.
QUALITY HEADPHONES / MONITORS RECOMMENDED
BOOM 808! is priced at $0.99.
Arturia has introduced VOX Continental-V, a virtual instrument emulation of the vintage Vox Continental 300 organ.
As a high-end software recreation of the Sixties-vintage Vox Continental 300 transistor-based combo organ, VOX Continental-V is the latest addition to Arturia’s acclaimed Analog Classics lineup where it sits alongside an authentic recreation of another archetypal Sixties staple, Wurlitzer-V (based on the classic ‘Wurly’ electric piano).
Like the transcontinental history of the original Vox Continental, the road to creating VOX Continental-V was a long and winding affair. Arturia started its latest software developmental journey in the company of a rare Vox Continental 300 dual-manual model, capturing every nuance of the original right down to key contact timing and background noises — no elbows needed! Next, Arturia acquired a rare Jennings J70 — developer Tom Jennings’ Vox organ forerunner — and added a J70 Mode to the VOX Continental-V voice engine. End users have effectively ended up with two ultra-rare organs for the price of one as a result — with more tones to play with, which musically is a good thing to have!
The end result is surely the most authentic dual-manual Vox Continental 300 emulation that money can buy. Notable VOX Continental-V features include upper manual, lower manual, and bass pedal sections; multiple output effects processors; and independent channels per manual. Moreover, Expanded Mode adds a full compliment of drawbars for each harmonic; a new waveform drawbar on each section; several popular effects; Leslie™ and guitar amp simulator outputs; and an expanded percussion section. Similarly, Services Mode allows for individual tuning of each pitch — just like an original Vox; alterable key contact timing (to simulate older key contacts); and authentic background noise bleed control.
VOX Continental-V for Windows and Mac (VST/AU/AAX/Standalone) will be available in late April, priced at 119 EUR / $129 USD
Geist Expander: Vintage DrumBox is a collection of synthesized analogue drum samples for FXpansion’s Geist. Created by Mr Hoodie from The Groove Criminals, Vintage DrumBox is the result of obsessively sampling a set of strange, esoteric and crusty old machines. FXpansion says that the included sounds are warm, rounded and perfect as an antidote or accompaniment to more modern timbres. The pack also features a bonus selection of riffs and arps from some classic analogue synths.
Some highlights of Vintage DrumBox include early preset accompaniment and organ-top boxes like the Hammond AutoVari and Watford Rhythm Generator, Amdek and Electro Harmonix percussion tone generators and rare drum machines such as the Vermona DRM-1. Legendary analogue BBD delay, tape echoes and spring reverbs are judiciously used to add further textures and flavours.
Vintage DrumBox features loops, kits and presets for FXpansion’s Geist software. Samples are supplied in 24-bit 44.1kHz WAV and RX2 formats and can be loaded into any software or hardware that supports them.
- Geist Expander with analogue drum samples
- Over 1200 WAV samples
- Over 500 RX2 loops
- Kit, Engine and full Presets
- 5 Pattern Banks
Pricing and Availability:
Pricing is USD $29.00, EUR €25.00, GBP £22.00 inc VAT for all registered Geist owners.
A Tour and Demo of this amazing simulation of the classic synth from EMS, the VCS 3.
Official EMS VCS3 emulator
The VCS3 was created in 1969 by Peter Zinovieff’s EMS company. The electronics were largely designed by David Cockerell and the machine’s distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case.
The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track “Won’t Get Fooled Again” (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3’s filter and low frequency oscillators) on Who’s Next. Pink Floyd’s “On the Run” (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3.
The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together.
DK1 keyboard controller
Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released.”
Alba Ecstasy has released a new sound library for theNovation Bass Station II, details below:
87 presets for Novation Bass Station. Demo: all sounds are coming from Novation – The New Vintage pack.
Click here: http://www.albaecstasy.ro/novation/
Delay & Reverb from Ableton.
Nord Wave – Vintage Digitals Vol1, by Don Solaris.
Here’s what he has to say about the sound library:
Instead of going for the factory presets of various machines and sampling those, we went one step further. We went for the original ROM waveforms. And more importantly, their original loop points. The goal was high – to ensure 100% authentic sound. No cross-fade looping techniques here, everyone can do that nowadays and did we mention it totally kills the soul of the sample (due to the x-fade process itself).
Hence we used totally different approach and you bet these loops in here required a lot of screwdriver work to match original factory loop points. But the result is 1:1 original playback where you can no longer distinguish a copy from the source.
available at: http:///donsolaris.com/nord
This Nord Wave library is 99 multisamples made from the following machines:
- Roland U-20
- Roland JD-990
- Roland JV-1080
- Yamaha SY-22
- Yamaha SY-85
- Yamaha TX16W
- Ensoniq SQ-1
- Kawai K-1 rII