Pterosaur – free synthesizer plug-in for Windows

June 4, 2012 · Posted in Uncategorized · Comments Off on Pterosaur – free synthesizer plug-in for Windows 

Contralogic has released an updated version of Pterosaur, a free synthesizer plug-in for Windows.

Pterosaur is a 16 oscillator synth. It’s loosely inspired by the classic Supersaw sound of the Roland JP-8000 in that the output of each oscillator can be independently detuned and panned, creating a very rich sound.

The basic waveform produced by the oscillators is a sawtooth wave which can be morphed into a sort of saw/pulse hybrid with the mod control.

Changes in Pterosaur

  • Polyphonic mode added.
  • More LFO shapes.
  • 3 additional oscillator waveforms (sine, triangle and square), all of which can be morphed in the same way as the sawtooth wave in the original version.

Pterosaur for Windows (VST) is available to download at no cost.

New video from Vomito Negro – “Emerging Souls”

June 4, 2012 · Posted in Uncategorized · Comments Off on New video from Vomito Negro – “Emerging Souls” 

Emerging Souls from Vomito Negro’s album “Fall of an Empire” out September 2012

Music Thing Random Sequencer

June 4, 2012 · Posted in Uncategorized · Comments Off on Music Thing Random Sequencer 

DIY shift register sequencer module for Eurorack modular synth. Full details: musicthing.co.uk/modular/?page_id=21

Music Thing Random Sequencer:

The Random Sequencer is a circuit that produces clocked randomly changing control voltages. These can also be locked into loops that repeat every 8, 16 or 32 steps.

This is an open hardware project – all the project files (Eagle CAD projects, Gerbers PCB files, a Mouser BOM and Illustrator/PDF front panel designs) are available on this page, covered by a Creative Commons Attribution Share-a-like license, which allows for commercial use.

This is a relatively advanced DIY project, and I’m not able to provide support. I am not selling PCBs, kits or finished modules, but hopefully all the information you’d need to get your own is here.

Night Radio Tales

June 4, 2012 · Posted in Uncategorized · Comments Off on Night Radio Tales 

More on this:

This track is from my new audio-visual album “Soul Resonance”. You can get the full version here: http://www.warmplace.ru/music/soul_resonance
Created in SunVox modular studio and Pixilang programming language:
http://www.warmplace.ru/soft/sunvox
http://www.warmplace.ru/soft/pixilang
Want to make a donation? http://www.warmplace.ru/donate

About SunVox:

SunVox is the Most Powerful music creation tool for iOS. It is a small and fast pattern based sequencer (tracker) with modular synthesizers.
With this program you can compose music anywhere. On any device. It also available (for FREE!) for Windows, Mac OS X, Linux, Maemo, PalmOS, Android, and other systems.

[ Jordan Rudess about this app ]
Sunvox is a serious music application. I am personally running it on my iphone. In the overcrowded world of music apps, Sunvox stands out as both unique and powerful. If you are a musician and own an iphone, you owe it to yourself to try this amazing application!

[ Key features ]
• Modular interface.
• Highly optimized synth algorithms.
• Support of 16/24/32bit WAV, AIFF and XI samples.
• Effects from classic trackers like FastTracker, ImpulseTracker, ScreamTracker, ProTracker, OctaMED.
• Multitrack WAV export;
• WiFi export/import;
• MIDI export;
• MIDI IN/OUT;
• Mic/Line-in recording;
• Real-time recording of any types of sound events (notes, Touch Theremin, controllers).

Universal Audio UAD Ampex ATR-102 – Extended Video Review

June 4, 2012 · Posted in Uncategorized · Comments Off on Universal Audio UAD Ampex ATR-102 – Extended Video Review 

Russ gets his hands on the UAD Ampex ATR-102 tape emulation and puts it through its paces in this extended video. He takes a novel approach and looks at the effect it can have on different instruments rather than just as a mix-buss process. Find out more and get top Pro Tools and recording tips and tricks at http://www.pro-tools-expert.com

Background data:

It’s Not a Record Until it’s Mastered on an Ampex® Tape Machine.

For more than three decades, the two-channel Ampex ATR-102 Mastering Tape Recorder has turned music recordings into records. With its cohesive sound, punch, and ability to provide subtle-to-deep tape saturation and color, the ATR-102 is a fixture in major recording and mastering studios — and is considered by many engineers to be the best-sounding tape machine for final mixdown. The perfect complement to the workhorse Studer A800 Multichannel Tape Recorder, the ATR-102 Mastering Tape Recorder plug-in for UAD-2 can provide the final “analog polish” on your music, turning songs into albums.

Features

  • Ampex®-authenticated plug-in emulation of the ATR-102 Mastering Tape Recorder — the most popular professional 2-track machine ever made
  • Provides rich, cohesive tape sound, without the hassles of calibration, maintenance, tape degradation, etc.
  • Models entire ATR-102 electronic path, including transformers, amplifiers, Repro, Sync, and Input paths
  • Features multiple tape formulas, head configurations, and calibration levels
  • Adjustable Wow, Flutter, Hiss, Hum, Crosstalk, and (L/R) Tape Delay
  • Requires a UAD-2 DSP Accelerator Card available from authorized dealers worldwide
  • View All Features

Impeccably modeled in the renowned UAD engineering tradition — and incorporating presets from noted ATR-102 users Chuck Ainlay, Richard Dodd, Buddy Miller, Mike Poole, and more — the ATR-102 Mastering Tape Recorder plug-in emulation for UAD-2 faithfully replicates the unique dynamics, frequency response, and saturation characteristics of the original hardware. Scrutinized and fully authenticated by the Ampex Corporation, the sound of the ATR-102 plug-in for UAD-2 is virtually indistinguishable from its analog cousin.

History
Introduced in 1976, the Ampex ATR-102 2-Track Tape Recorder was a near-instant hit, thanks to its revolutionary servo-controlled reel motors and capstan, which provided smooth, continuous tape tension and handling. The large capstan, and absence of pinch rollers, provided nearly non-existent speed drift and ultra-low flutter. The clever ATR-102 design allowed users to change out heads and guides in mere minutes, with a 1″ head being a very popular “hot-rod” modification in more recent years — especially when running at 15 IPS (inches per second). The ATR’s role in modern recording history is so prevalent, that it would be easier to list classic albums that weren’t mixed down on this machine, rather than to try to list all those that were.

More info here >>

Time machine: MULTIVOX RHYTHM ACE FR-3 | Vintage Rhythm Box

June 4, 2012 · Posted in Uncategorized · Comments Off on Time machine: MULTIVOX RHYTHM ACE FR-3 | Vintage Rhythm Box 

This is a quite rare little analog rhythm box from 1979. The features are nothing special, but the sound overall is much better than other rhythm boxes of that era. It has a deep bassdrum and a crispy snare.

It’s from MULTIVOX, not ACE Electronics (former Roland). Before the Multivox came along, Ace Electronics made several rhythm boxes which are also called “Rhythm Ace”. These have nothing to do with the Multivox. The mechanical hardware looks to me like old Korg Minipops units. Was Korg involved? 😉

All rhythms are combinable. I played the Multivox with a little reverb.

Monday electro jam: Synthotronic vs Identotron

June 4, 2012 · Posted in Uncategorized · Comments Off on Monday electro jam: Synthotronic vs Identotron 

“A random jam session in Studio 101 with Synthotronic on synthesizers and Identotron on guitar.”

Equipment used: OSC OSCar, Roland SH-101, Roland SH-09, Waldorf Blofeld, Korg MS2000R, Novation Supernova II, Boss DR-770, Electro-Harmonix Memory Boy, Gretsch customised Pro Jet.

Recorded and mastered in Logic using various Logic plugins.

If you like this, check out the dark electronica musical project: http://www.dicepeople.com/

LittleGPTracker – music tracker optimised to run on portable game consoles

June 4, 2012 · Posted in Uncategorized · Comments Off on LittleGPTracker – music tracker optimised to run on portable game consoles 

LittleGPTracker (a.k.a ‘The piggy’) is a music tracker optimised to run on portable game consoles. It is currently running on Game Park’s GP2x & Caanoo, PSP, Dingoo, Windows, Mac OSX (intel/ppc) & Linux (Debian).

It implements the user interface of littlesounddj, a very famous tracker for the Gameboy platform that has been tried and tested by many users over the years, leading to a little complex but yet extremely efficent way of working.

Piggy currently supports 8 monophonic 16Bit/44.1Khz stereo sample playback channels. Additionally, the program can drive MIDI instruments (with the gp32 and gp2x a custom MIDI interface is required).

All versions are available for free ; however, if you like the project and want to contribute, don’t hesitate to do a small donation. If you’d like to see the piggy wiggling on your platform, you can try donation too, DS users can forget about it, the console is not powerful enough to drive the piggy as is. The archive containing executables for all platforms is here:

DOWNLOAD NOW!

Steely Dan III by Beat Frequency – experimental theremin music with effects

June 3, 2012 · Posted in Uncategorized · Comments Off on Steely Dan III by Beat Frequency – experimental theremin music with effects 

Just watching this vintage movie is worth the posting :-)

Recorded in one take. Effects chain: ModTone BuzzBoy in etherwave standard theremin w/ ESPE01 mod and effects loop, to Marshall Echohead Delay, to Electro Harmonix Talking Machine w/ expression pedal. Some dynamic compression and reverb added in post-production.

TABLETOP – now in its 3rd generation

June 3, 2012 · Posted in Uncategorized · Comments Off on TABLETOP – now in its 3rd generation 

quick look @ ‘Tabletop’ via a 3rd generation iPad. great workstation / creative outlet for music-making in iOS. base-version comes with a significant amount of devices. if other big-name synth / plug-ins were invited to submit devices to this, it would definitely have potential to explode.

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