Arpeggionome Pro, Nave, Cubasis, and Audiobus

June 24, 2013 · Posted in Uncategorized · Comments Off on Arpeggionome Pro, Nave, Cubasis, and Audiobus 

Arpeggionome Pro is a new musical instrument for controlling arpeggios with the touch of a finger. This video shows Arpeggionome Pro controlling Nave (via Virtual MIDI), and recorded by Cubasis (via Audiobus). Additionally, Arpeggionome Pro has the iPad’s accelerometer mapped to control MIDI Note Velocity and Nave’s filter’s cutoff frequency.

PURCHASE APP
http://bit.ly/11QfXKz

MORE INFO
http://arpeggionome-pro.com.

Time machine: PPG Waveterm A – Original Factory Sample Library (8bit)

June 24, 2013 · Posted in Uncategorized · Comments Off on Time machine: PPG Waveterm A – Original Factory Sample Library (8bit) 

Vintage synthesizer demo of the PPG Waveterm. The PPG Waveterm A – or just PPG Waveterm – was PPG’s first entry into a full studio solution. The PPG Waveterm A does NOT produce any sound itself meaning you will need a PPG Component like the PPG Wave 2.2, PPG Wave 2.3 or PPG EVU if you want to hear anything you do on it. The PPG Waveterm made PPG owners able to produce their own wavetables and to save their own programs to floppy disk instead of tape using the Cassette interface. It also made PPG owners able to create songs and to – most importantly to most – sample something and play it back using the PPG Wave 2.2. The PPG Waveterm is based on an old german computer called Eltec Eurocom II based on the Motorola 6809 processor, and can be set up to run the ‘ordinary’ Eurocom II software (Flex 9). You can also hook up a keyboard and a printer to it to have a ‘fully featured’ home computer – a very expensive one though. The PPG Waveterm was not cheap – but it was a giant leap in music technology, and the quality of the samples you could produce using the PPG Waveterm was astonishing back then in all its 8 bit glory.
all 8 bit samples are from the original PPG Waveterm A sample library (1982) played over the PPG wave 2.2 synth.
no PPG wave 2.2 sounds used!

wavetermb

The Waveterm A is the heart of the legendary PPG system and based on an old german computer called Eltec Eurocom II with Motorola 6809 processor.

– creation of Waves and Wavetables
– fourier analysis / resonator
– additive synthesis
– 8 bit Sampling for the WAVE 2.2
– sequencer / event generator
– storage of sounds on 8″ disc

more info over the PPG Waveterm A:
http://www.retrosound.de/PPG-Waveterm…

Synth music: Vince Clarke appears on new Robert Marlow album

June 23, 2013 · Posted in Uncategorized · Comments Off on Synth music: Vince Clarke appears on new Robert Marlow album 

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There are no less than 2 new Robert Marlow CDs in the pipeline holding new tracks. The first one is called “The Future” and is a 7-track mini album holding an exclusive Vince Clarke remix of “No Heart” next to 6 new tracks. The release will be followed a few months later by the remix album “The Future – Remixes” holding remixes by such artists like Diskodiktator, Framework, Cobalt 60/K-Bereit, Eddie Bengtsson (Page /SMPJ), Per Aksel Lundgreen (ex-Apoptygma Berzerk), Kellertechnik, KATelectric and many more.

The first CD will be released on August 8 and is now in pre-order via POPoNAUT. An exclusive show-case concert will be taking place in Cologne at the Blue Shell Club on September 28.

New video from Pet Shop Boys – Vocal

June 23, 2013 · Posted in Uncategorized · Comments Off on New video from Pet Shop Boys – Vocal 

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The video for the new Pet Shop Boys single “Vocal” is now available on YouTube. The short film has been produced and directed by filmmaker and photographer, Joost Vandeburg.

The new album “Electric”, produced by Stuart Price, will be released on July 15.

From the upcoming Pet Shop Boys album “Electric”, released July 15, 2013.
Pre-order now:
Digital: http://smarturl.it/psbelectricdigital…
CD: http://smarturl.it/psbelectricphysica…

Get this track: http://smarturl.it/psbvocaltrack?IQid…
Find out more at http://www.petshopboys.co.uk

Video directed by Joost Vandebrug

Serge and Synthesizers.com modular synthesizer

June 23, 2013 · Posted in Uncategorized · Comments Off on Serge and Synthesizers.com modular synthesizer 

Kosmische Musik style with Synthesizers.com modular synthesizer

A Serge Modular Creature + Gator patch

More action with KORG Volca

June 23, 2013 · Posted in Uncategorized · Comments Off on More action with KORG Volca 

Judging from the number of videos being produced with the Volcas now, it appears that shipments from KORG has started, here’s one good example:

Composed by BakaOscillator.
Use, KORG volca bass, volca beats.

KORG announces Mono/Poly as new Reason Rack Extension

June 22, 2013 · Posted in Uncategorized · Comments Off on KORG announces Mono/Poly as new Reason Rack Extension 

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Korg’s original Mono/Poly, released in 1981, was a monophonic/polyphonic behemoth that was popular worldwide. It provided four oscillators, a resonant filter, dual EGs and Modulation Generators, plus 4-way Synchro and Cross Modulation capability for creating aggressive and signature tonal effects. Mono/Poly was reborn as software as part of Korg’s Legacy Collection – Analog Edition 2007.

The new Mono/Poly for Reason is a software version specially developed for Propellerhead’s Rack Extension Plugin format for Reason. In addition to faithfully replicating the original sounds, the Mono/Poly for Reason also adds enhancements such as 128-voice polyphony (max), up to 16-voice unison, Mono/Poly up to date for use in modern music production.

Beyond perfectly reproducing the original, this version of Mono/Poly also greatly extends its sound-creating potential. An eight virtual patch matrix lets users route 159 modulation sources to modulate 35 destinations for creating complex, diverse sounds. Two integrated multi-effects and an arpeggiator deliver modern performance power and flexibility.

The software interface provides reorganized knobs and switches that resurrect the MonoPoly in a contemporary “rack-mountable” form for intuitive operation and sound-creating versatility.

Mono/Poly for Reason will be available for download at Propellerhead’s web-shop shop.propellerheads.se on June 20th for U.S $49.00. Additional product information can be found at: www.korg.com/MonoPolyforReason

All the new stuff in Avid Pro Tools 11

June 22, 2013 · Posted in Uncategorized · Comments Off on All the new stuff in Avid Pro Tools 11 

New Avid Pro Tools 11 is now shipping. Pro Tools 11 offers a major upgrade of Avid’s digital audio workstation that provides users with new, high-powered audio and video engines, 64-bit architecture, expanded metering, and direct HD video workflows.

“Pro Tools 11 represents a quantum leap in creative power,” states Chris Gahagan, senior vice president of products and services at Avid. “The newly designed architecture turbo-charges production with more plug-in processing, the ability to run more virtual instruments—and a host of new features—letting users create ambitiously, without holding anything back.”

Key benefits and features of Pro Tools 11 include:

Redesigned Audio Engine & 64-Bit Architecture
New Avid audio engine — Delivers multiple times the processing power of Pro Tools 10 on the same hardware configurations.

64-bit architecture — Exponentially increases the number of simultaneous virtual instruments and the performance to handle the most sophisticated sessions.

Offline bounce — Delivers mixes up to 150 times faster than real time.

Low-latency input buffer — Ensures ultra-low latency record monitoring without sacrificing plug-in performance.

Dynamic host processing — Maximizes plug-in count by reallocating processing resources as needed.

Expanded Metering
Extended standards support — Features a broad range of built-in metering standards, from peak and average to VU and PPM, to maintain adherence to regional broadcast requirements.

Gain reduction — Shows gain reduction for all dynamics plug-ins on each channel.

Direct HD Video Workflows
Built-in Avid video engine — Enables audio post professionals to play and edit a wide range of HD video formats including Avid DNxHD, directly in the Pro Tools timeline without transcoding, using the same core engine as in Media Composer.

Video interface support — Enables monitoring of DNxHD and QuickTime media through Avid Nitris DX, Avid Mojo DX, and other video interfaces.

“In the world of professional mixing, I constantly need more processing power, and the extra power in Pro Tools 11 is exactly what I need,” says Tim Palmer, mixer and engineer for U2, Robert Plant, Ozzy Osbourne, The Cure, and INXS. “I love the new metering and the new sends view is excellent. It is really impressive. Pro Tools 11 is a big leap forward.”

Pro Tools 11 and Pro Tools HD 11 are available in the online Avid Store and at Avid resellers worldwide. For more information, click here.

Pricing:
Pro Tools 11 software (full version)— $699 USD
Pro Tools 10 to 11 upgrade— $299 USD
Pro Tools 9 to 11 upgrade— $399 USD
Pro Tools Express to Pro Tools 11 cross grade— $499 USD
Pro Tools HD 10 to 11 upgrade— $599 USD
Pro Tools HD 9 to 11 upgrade— $999 USD

Kork M500 Micro Preset from Tronsonic

June 22, 2013 · Posted in Uncategorized · Comments Off on Kork M500 Micro Preset from Tronsonic 

A short preview of the Kork M500 for Native Instruments Kontakt 5.1.0 (full version)

www.tronsonic.com

A run-through of some of the tape effect presets provided with the m500, demonstrating some of the variations in attack and punch made possible with the custom tape effect.

Kork M500 Micro Preset – full version of Native Instruments Kontakt 5.1.0 needed.

Checking out the new polyphonic synth Thor for iPad

June 22, 2013 · Posted in Uncategorized · Comments Off on Checking out the new polyphonic synth Thor for iPad 

A quick run through of some of the 1000 presets that come with this stunning synth from Propellerhead

Thor Polysonic Synthesizer (on the iPad) with Elektron Octatrack, Analog Four, Waldorf Rocket

Propellerhead has brought their massive Thor synth to the iPad! Although there are lots of Thor tutorials out there, this one focuses specifically on the app and its uses in an iPad environment, while figuring out what the fuck “Polysonic” actually means.

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