Tabletop Updates (HD)

March 12, 2012 · Posted in Uncategorized · Comments Off on Tabletop Updates (HD) 

A quick peek at auto-routing, and gesture tweaks

The heart of Tabletop is a modular environment where you can mix and match different devices. Select from over 20 devices including samplers, mixers, effects, sequencers and more. Buy only the gear you need from an expanding catalog.

Tabletop is the first musical environment designed from the ground up exclusively for the iPad. Each device has its own uses, characteristics, personality—ranging from classics like drum pad samplers to touchscreen effects.

  • 27 unique devices
  • Over 500 sounds (multisample instruments, loops, phrases)
  • Record sequences, arrange into songs
  • Adjustable quantization (pre- and post-record)
  • Recordable parameter automation
  • Overdub and replace record modes
  • Trigger sequences and patterns live
  • Multitouch instruments and devices
  • Sampling (internal mic, line in)
  • Adjustable tempo with optional swing
  • Import your own sound library, save presets
  • Support for imported .mid phrases
  • Insert and send/return (master) effects
  • Undo history
  • 44Khz, studio-quality audio
  • Share recordings directly to SoundCloud
  • Sync 2 iPads running Tabletop or other apps with WIST
  • Import sounds from dozens of apps with AudioPaste
  • … and much more! See the full feature list

Introducing the MFB Dominion-X Synthesizer

March 10, 2012 · Posted in Uncategorized · Comments Off on Introducing the MFB Dominion-X Synthesizer 

MFB has updated their site with details on the Dominion-X synthesizer.

The MFB Dominion-X combines analogue synthesis, programmability and modular patching.

Features:

  • Programmable Analogue Synthesizer
  • 3 VCOs with wave shaping and ring modulationDual-Sync and Dual-FM features
  • 6-fold multimode-filter including 3 low pass configurations with 12/18/24 dB
  • patch-section for external CV/Gate-control
  • Velocity routing matrix with 11 destinations
  • 3 LFOs with 2 LFOS offering one-shot-modes and reset

The MFB Dominion-X is priced at 780, Euro.

Audio demos and details below.

The MFB Dominion X offers three oscillators for maximum flexibility. Each waveform can be varied in symmetry. Besides altering the pulse width of a rectangle, you may also continuously turn a saw tooth into a triangle and a triangle into a sine.

All oscillators also offer ring modulation. In addition, VCO 2 and VCO 3 can be synced to VCO1.

Finally, VCO3 can modulate the frequency of VCO 1 and VCO 2. The analogue oscillator circuit is processor-controlled for stable tuning.

To complete the available sound sources, noise or an external audio input can be added to the VCOs in DOMINION X’s mixer section.

The filter offers six operation modes. Available are three low pass variations with 12, 18 and 24 dB/oct. slopes. Also available are high pass-, band pass and a notch filter with slopes of 12 dB/oct. respectively 6 dB/oct. Variable filter modulations are possible via an invertible envelope, keyboard tracking, LFO, VCO, different MIDI controllers as well as by the use o the CV-input.

The two ADSR-type envelops are internally routed to the VCF- and VCA-sections. In addition, envelope 1 can also modulate the VCO section. LFOs 1 and 2 offer six waveform shapes including sample & hold. They may be switched to one-shot-modes to emulation simple envelopes. A third sine-LFO works in combination with a keyboard’s modulation wheel and can dynamically address the VCO, VCF and VCA sections.

Modulations are assigned by the use of selector switches, located at the destinations. This allows easily setting and re-routing internal modulation paths – ideally for your live-performance.

To integrate external modulators, control- and audio sources, DOMINION X offers nine inputs. Therefore, oscillators, filter, VCA, CV/Gate and mixer can be easily combined with other analogue synthesizers such as MFB’s MEGAZWERG, analogue sequencers such as MFB’s URZWERG PRO or modular synthesizer systems.

An additional selector switch allows assignment of velocity for up to eleven modulation destinations.

The MFB Dominion X offers 128 programmable patches. To support sound programming without an attached keyboard, different demo sequences are available. To use The MFB Dominion X as a filter box for external audio sources, the VCA can be opened permanently. Finally, there is an insert available to integrate an effect or distortion unit into the signal path.

The MFB Dominion X has the following dimensions: 330 x 170 x 60 mm. An external power supply is included.

Patch Chord in context

March 5, 2012 · Posted in Uncategorized · Comments Off on Patch Chord in context 

Using the Erthenvar Patch Chord to generate chords in a Eurorack system. Visit http://erthenvar.com

Erthenvar Patch Chord – a bank of 25 “Oscillator Controlled Oscillators”, which can be used to generate chords in a Eurorack system.

The Patch Chord continously samples the cycle duration and duty cycle of the input waveform. It outputs 12 semitone steps above the input note, 12 semitone steps below the input note, and the root note itself (available from two output jacks). All outputs are pulse waveforms with continuously variable pulse width.

An oversized tri-color LED spans the color spectrum in each octave, so each note has a unique color! The input jack is passively multipled to an output jack so the visual effects of the LED can be had even if the module is not part of the current patch.

There four modulation types available, each with an input jack and a three-position switch. The switch can turn off the modulation, allow the CV value to control the parameter, or turn on the modulation. The modulation jacks are all DC coupled and respond to audio rate signals, though the tracked waveform has a lower limit of around 20 seconds per cycle.

  1. The SQR modulation forces the tracked duty cycle to 50%, making all of the 25 outputs into square waves
  2. The INT modulation changes the relationship between each output from a semitone step to an integer or harmonic step
  3. The ZERO modulation resets all of the output counters to 0, similar to a sync function
  4. The HOLD modulation stops tracking the input and keeps the last counted cycle duration and duty cycle values

Pittsburgh Modular VILFO Introduction

February 18, 2012 · Posted in Uncategorized · Comments Off on Pittsburgh Modular VILFO Introduction 

Voltage Influenced Low Frequency Oscillator
The-Pittsburgh Modular Voltage Influenced LFO is unique in the modular world. It is a strange, triangle based LFO that lives in an 8hp euro panel. The module offers two outputs, a triangle wave, and a variable waveform that shifts from a triangle to something that is almost not completely a square wave. The VILFO also includes a unique voltage influence circuit. The influence works differently than standard control voltage inputs, it allows the incoming CV to mingle with the LFO waveforms in interesting ways, creating unique modulations and patterns.

A typical Voltage controlled oscillator works by using a CV input to directly control the oscillation frequency. The more voltage sent to the CV input, the higher the frequency of the ocsillator. The lower the voltage, the lower the frequency of the oscillator. Voltage Influence works by using the CV input to attenuate the frequency of the oscillator while at the same time injecting some of the voltage from ICV Input to the feedback loop of the oscillator. Results can vary from subtle to chaotic. Subtle results can be similar to tremolo, shuffle, or soft reset while more extreme settings produce glitchy, rhythmic, chaotic fluctuations in the frequency of the VILFO. At the most extreme the VILFO can be stopped using Voltage Influence.

mNodes: Patchable Modular Controller

February 9, 2012 · Posted in Uncategorized · Comments Off on mNodes: Patchable Modular Controller 

mNodes|nod| : Patchable Modular Controller
2011 STEIM(Amsterdam)
AVR C++ supercollider
created by jinKu
This patchable modular controller is called mNodes
It is an intuitive and tactile controller for performances and compositions.
Unlike other controllers, mNodes is using patch cables to route signals.
It is a modular system and one can simply expand its capacity.
mNodes use softwares such as MaxMsp/Jitter, Ableton Live,cSound,Processing etc through USB make it an extremely flexible and powerful controller.

rePatcher: a modular synth interface for your computer

February 8, 2012 · Posted in Uncategorized · Comments Off on rePatcher: a modular synth interface for your computer 

rePatcher: a modular synth interface for your computer!
works with MAX/MSP and Pure Data
http://www.openmusiclabs.com/projects/repatcher/

rePatcher is an Arduino shield that allows you to “repatch” your Max/MSP or Pure Data patches with a 6 x 6 patchbay matrix. It also has 6 general purpose control knobs for modifying parameters in your patch. Since it does all of this over USB, it can be hacked to work with any other program that can accept a serial stream.

New Reason 6 Refill from Nucleus – Celluloid Beats

January 31, 2012 · Posted in Uncategorized · Comments Off on New Reason 6 Refill from Nucleus – Celluloid Beats 

Nucleus SoundLab would like to introduce you to a brand-new ReFill exclusively built for Propellerhead Reason 6 – Celluloid Beats. Celluloid Beats features an amazingly unique set of cinematic percussion loops suitable for filmscoring, game sound design, IDM and other electronic genres. The loops inside have been specially processed using a proprietary additive vocoding techique to emphasize long, smooth decay stages. Beyond the high-quality loops themselves, Celluloid Beats is also the first ReFill in an innovative new series called Modular Grooves.

Modular Grooves ReFills are meant to provide musicians and producers with a infinitely configurable palette of loops. These loops sound great at virtually any tempo thanks to being sampled using Wide BPM technology – anywhere from 60bpm to 300bpm is fair game. There is no reason to be limited by the original tempo of a loop any more!

Each Combinator patch in a Celluloid Beats contains 8 loops – 1 original loop and 7 creative loop remixes. This is achieved by using the Slice Edit Mode on Dr. OctoRex to change filtering, decay, volume and more on a per-step basis for each loop. Going farther than that, unique FX are added to each patch which are used to effect specific loop slices – so each slice in a loop can have a different distortion, filtering or delay! The resulting loop remixes sound incredibly complex, but they certainly aren’t complicated to use. A single Combinator Rotary switches between all 8 loops; and you can also easily dive into Dr. OctoRex to tweak any loop remix to taste! To help users understand the Modular Grooves technology and get the very most out of it, PDF documentation is included.

Celluloid Beats also comes packed with all its loops in raw REX2 format outside the ReFill itself at no additional charge. So users can easily load these loops into other sampler, such as Kontakt, Ableton Live, Battery and more without any hassles.

  • 40 24-bit 44khz REX2 loops form the base of Celluloid Beats
  • 280 loop remixes using all 8 loop slots on Dr. OctoRex
  • Each patch built exclusively for Reason 6
  • All REX2 loops included outside the ReFill, for use in other samplers
  • Detailed PDF documentation on the creation and operation of the ReFill

Download the free Demo ReFill right here.

Moog The Ladder – Across The Mix

January 30, 2012 · Posted in Uncategorized · Comments Off on Moog The Ladder – Across The Mix 

The Ladder is a Dynamic Transistor Ladder Filter that is based on Bob Moog’s original ladder filter designs. Don’t be fooled by its small size, The Ladder is a powerful and fantastic sound sculpting tool that allows for creative and unique sound shifting and shaping. By design, The Ladder sports the smoothest all analog Low Pass and High Pass filter section. Simply adjust the Cutoff knob to add vibe, warmth or tonal adjustment.  Choose LP to add analog vibe and warmth to a sound or select HP for sweetening and relieving the heft of a sound. The API 500 series lunchbox is a studio friendly, rack format into which you can now slot some hi fidelity Moog filters. Moog’s The Ladder, is designed for studio use, to tweak and colour the audio and apply some Moog filter lovin’ rather than as part of some new modular synth format.  Trent Thompson demonstrates a few mix applications to great effect.

The Ladder features include:

  • Low Pass and High Pass: The Ladder has inherited the smoothest all analog filter section possible. Choose between LP and HP at the flick of a switch.
  • Cutoff: Simply adjust this knob to determine where The Ladder begins to sculpt the sound.
  • Attack and Release: These variable controls allow you to perfectly dial in the timing behavior of The Ladder’s envelope section. Use them to open and close the envelope as fast as lightning, or slow as molasses.
  • Amount: Use in Positive or Negative mode for mild to extreme sound shaping and manipulation. The amount determines how much signal is sent to the envelope section of The Ladder. From slight timbral excitement and voicing to extreme compression-like behavior and even reversed filtering is achievable.
  • Resonance: Controls the amount of harmonic bump at the cutoff frequency. This is the voice of The Ladder. Create sweet, dynamic or extreme speech like behavior and beyond. Accentuate specific frequencies to excite a sound or create completely new and unique ones.
    NOTE: The Ladder’s Resonance control can push the unit into self-oscillation. This can be used for effect if desired.
  • 2Pole/4Pole: Select how aggressive the filter slope is. 2 pole is equal to 12db per octave, which is smooth and sweet, while 4 pole is 24db per octave, which is hard, aggressive and most similar to a Classic Moog filter.
  • Bypass: Totally transparent relay bypass for routing and A/B comparison

More Information

DJ: Quick Look at New Behringer Modular Controllers

January 30, 2012 · Posted in Uncategorized · Comments Off on DJ: Quick Look at New Behringer Modular Controllers 

Here’s a new video featuring the Behringer modular DJ controllers together with Traktor:

For more information on the Behringer CMD series, please visit: http://www.djtechtools.com/2012/01/20/behringers-cmd-line-modular-dj-controll…

  • Wide variety of modular units that apply to different uses
  • Super precise jog wheel and 60mm faders
  • Come with new Behringer 3-year warranty
  • CDM-MM1 mixer unit includes a built-in powered USB 2.0 hub

Emulator KS-1974 hands-on

January 23, 2012 · Posted in Uncategorized · Comments Off on Emulator KS-1974 hands-on 

Joe checks out the Kontrol Surface from SmithsonMartin.

Connect the KS-1974 to your laptop, desktop or any computer to transform them into a powerful and comfortable 22 inch surface with 4 simultaneous touch points. This is perfect for your studio or live performances. KS-1974 is a state-of-the-art DJ, VJ, and Studio Production tool. KS-1974 is the perfect size for any DJ booth or studio desk.

KS-1974 is the newest product from SmithsonMartin, winners of the 2011 DJ Mag Tech Awards: “Most Innovative Product”.  Emulator for Traktor and Emulator Modular come bundled with the KS-1974.

Emulator Modular includes a complete set of objects so you can completely custom design your own multi-touch interface with buttons, sliders, circular knobs, jog wheels and even your own custom graphics.

With Emulator Modular you can build your customized multi-touch interface in just minutes. Imagine a custom layout for Traktor, Ableton, Virtual DJ, Mixvibes, Torq, Deckadance, Arkaos, Resolume, and any other MIDI based software. You can share your creations with Emulator community, benefit from the experience and collaboration of other users from our forum. Sharing templates is easy and free, with Emulator Modular, the game has officially changed.

KS-1974 is manufactured with a highly accurate and extremely responsive 4 touch sensor, running at ultra low latency (less 4ms) and completely compatible with Windows 7 & 8 and OSX.

S-1974 is an ultra durable MIDI controller, glass used in the sensors is chemically strengthened to withstand high-volume user interaction and repetitive motion. The system allows continuous usage and will never wear out the faders and of course no more missing buttons.

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