Micromoog & Yamaha CS-5 with Synthrotek Ring Modulator & Analog 8 step Sequencer
http://www.synthrotek.com
A demo of the synthrotek Ring Modulator:
http://www.synthrotek.com/store/-c-42.html
and a micromoog plus a yamaha cs-5 which are both being controlled by our 8-step analog sequencer:
http://www.synthrotek.com/store/-c-48.html?osCsid=ae58d877df51546a0cbe405a364…
10th Anniversary Minimoog Voyager
We’d like to extend a heartfelt thank you to our exceptional customers for allowing our small company to thrive while staying true to our ideals. Ten years ago Bob Moog combined modern engineering and detailed craftsmanship to realize his dream of reimagining the Minimoog. The release of the Minimoog Voyager allowed us to realize another dream: that our dedicated employees would be able to provide for their families through their work at Moog. The decade long success of the Minimoog Voyager has enabled us to continue handcrafting analog synthesizers in Asheville, NC today. To show our gratitude all registered Minimoog Voyager owners will receive a small gift for joining us on our ten year voyage. And…one very lucky Moog enthusiast will win the gift of a lifetime, the 10th Anniversary Minimoog Voyager—created with the finest materials, it stands as a testament to American craftsmanship. Thirty proud owners, one lucky winner.
To find out more about the Minimoog Voyager’s 10th Anniversary go to:
Music courtesy of Marley Carroll, composed entirely on piano and Minimoog Voyager.
Check out Marley’s work at:
http://marleycarroll.com/blog/
Time machine: Exploring the Moog Source, Minimoog and Roland JD-800
A voyage into the heart of the Moog Source from the year 1981.
Exploration by Marko Ettlich
monophonic analog synthesis 2 VCO I Saw, Square, PWM,
Filter – 24dB lowpass
sample/hold
step sequencer, arpeggiator
and more
A voyage into the heart of the Moog Minimoog from the year 1970.
Exploration by Marko Ettlich
monophonic analog synthesis 3 VCO I Saw, Square, Spaced Saw, Pulse,
Filter – 24dB lowpass
44 keys, single-trigger, low-note priority
A voyage into the heart of the Roland JD-800 from the year 1991.
Exploration by Marko Ettlich
rom sample based digital synth
24 voices
6 part multitimbral
multimode filter, lfo
61 keys with velocity and aftertouch
Droning at night (Moog Slim Phatty + CP-251 + MF101/102/(2x)107)
Background details:
Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made in one take using a Moog Slim Phatty, a CP-251, an MF-101, an MF-102, two MF-107, Plogue Bidule and Audacity. Enjoy !
http://www.myspace.com/fredericgerchambeau
“Conversations” with MOBY: Inspired by Bob Moog
“At Moogfest 2011, we sat down with iconic electronic musican, Moby, to talk about the power and importance of Bob Moog’s legacy. Moby is part of our work. You can be too. Donate: http://bit.ly/donatebmf.”
Analog experience – Without bounderies
Background description by Hans Skoulaman:
Still a week to go for my concert with AKS. I found this beauty setting of the Waldorf Q. Its a nice sample of a full resonant opened filter'(notch). It is controlled by the Moog Little Phatty (by the arpeggiator and the modulation wheel) and the funny thing is that although the Moog isn’t velocity sensitive the keys are and it works perfect for other velocity sensitive MIDI instruments. Its sends also polyfonic. I tweaked some Juno 106 noise together with the Moog sequence.
The solo pieces are from the Concertmate MG-1 and the DS8. The pads came from my favorit DS-8 and a low string sound from the Korg 05r/w. In opposite is the string and e-piano sound from the Lamda. All processed with Lexicon, Yamaha, Ibanez, Alesis and Electrix effects. It is best listened with good audio gear then you here the rich harmonics of the Waldorf, I filmed and recorded everything live without overdubs (I mostly don’t use that).
MOOG SOUND LAB (Moogfest Edition): Mutemath – Allies
Mutemath came into the Moog factory to record a Moog Sound Lab Session and reinvent “Allies” from their 2011 LP “Odd Soul” before their Asheville show last March.
Darren opens the song with the Trap-Kat triggering 3 Minimoog Voyager Rack Mounts through an MF-104Z Analog Delay while masterfully manipulating the Time and Feedback knobs throughout the song with one hand, and drumming with his right hand the whole time.
Roy plays his own Minimoog Voyager Select Series through a fuzz box and carries the song with solid bass lines, opening and closing the Filter Cutoff during each chorus.
Paul is singing through an MF-104Z Analog Delay for some vocal slapback and uses a Minimoog Voyager XL to control Animoog for polyphonic pads and lead lines.
Those lead lines are mirrored by Todd, who plays the Little Phatty Stage II through an MF-104Z Analog Delay, playing soft arpeggiated tones to round out the song.
See more of the Moog Sound Lab series at: http://www.moogmusic.com/sight-and-sound/sound_lab/
Minitaur Revolution 2 – adding presets, assignable CVs and updated editor
Moog Product Development Specialist, Amos Gaynes, introduces Minitaur Revolution 2. REV 2 adds localy stored presets, assignable CV, CV to Midi conversion as well as an update to the Minitaur editor/librarian.
Minitaur REV 2 owners can now create up to 100 presets and store them directly within their Minitaur. Presets are managed from within the free Editor/Librarian software and can be conveniently recalled from the Minitaur’s front panel controls.
Also in REV 2, a new operational mode for the Decay/Release knob provides users independent control of Decay and Release times from Minitaur’s front panel. Users can easily switch between this new mode and Minitaur’s legacy mode from the front panel.
In addition, Minitaur’s CV and Gate inputs are now assignable from the Minitaur Editor/Librarian software. The Pitch and Mod CV inputs can be routed to any function, while the Gate input can be routed to functions with on/off behavior. REV 2 also enables Minitaur to effectively function as an intuitive CV to MIDI converter.
Learn more about Minitaur here:
http://www.moogmusic.com/products/taurus/minitaur
Bruno Ender Lee: Return to the Pleiades
BRUNO ENDER LEE – “Return to the Pleiades” – performed live, October 14. 2012
MacBeth M5N & Doepfer MAQ-sequencer, Synthesizers.com Studio-88, ARP Odyssey, MiniMoog Voyager OS, Moog Little Phatty, Analogue Solutions Vostok, Korg Polysix, Korg DS-8, Korg MS2000, Roland Juno-60
2012 Velvet Voyage Productions, all rights reserved
MOOG SOUND LAB (Moogfest Edition): Matthew Dear – Earthforms
Michigan based, Ghostly International co-founder and Moogfest alumni Matthew Dear visited the Moog Sound Lab where he completely deconstructed and then recreated the song “Earthforms” from his 2012 LP “Beams”
Matthew Dear sings through an MF-104Z Analog Delay for a slapback effect.
Greg Paulus plays Trumpet through an MF-104Z Analog Delay using long delay time to harken long repeating echoes of each trumpet line
Samer Ghadry is playing the Moog Guitar through an MF-104Z Analog Delay, utilizing the Controlled Sustain mode, which allows him to sustain single strings while the strings he’s not playing are totally muted
Ian Chang drives the song using trap-kat drum pads triggering 3 Minimoog Voyager Rack Mount Editions. Ian uses the Envelope Gate switch to sustain continuous sound during parts of the song.
Danny Scales, rounds out Earthforms with his bass guitar.
See more of the Moog Sound Lab series at: http://www.moogmusic.com/sight-and-sound/sound_lab/
Learn more about Matthew Dear at: http://www.matthewdear.com/
DATAMASKIN
