Moog session – Minimoog, Prodigy and Polymoog 203A

December 9, 2012 · Posted in Uncategorized · Comments Off on Moog session – Minimoog, Prodigy and Polymoog 203A 

Background video description:

Jamming away on the moog-rig – The minimoog, the Prodigy and the mighty Polymoog 203A synthesizer. Additional bassline-programming courtesy of Doepfer Dark Time.

ORBITAL – Electronic Music Innovators @ Decibel Festival

November 30, 2012 · Posted in Uncategorized · Comments Off on ORBITAL – Electronic Music Innovators @ Decibel Festival 

All the details below:

More info: http://bit.ly/QPH9Xe
At this year’s Decibel Festival in Seattle, we had the opportunity to sit down and talk with Phil Hartnoll of Orbital, one of the most influential dance music groups of the last twenty-five years. The Grammy Award-winning duo consists of Phil and his brother Paul, both originally from Sevenoaks, England, and they began releasing critically and commercially successful dance singles and albums in the late 1980s and early 1990s.

In this video interview, Phil Hartnoll talks about their early beginnings and individual musical influences (including Kraftwerk, English rock bands like Led Zeppelin and Deep Purple, classic Motown soul records from the US, film scores, and Jamaican ska, reggae and dub), their connection with musical contemporaries The Prodigy and Underworld (who were playing similar acid house and rave club gigs back in the day), the origin of the torch glasses, constantly refining their live setup, using the TR-909 vintage analog drum machine and the Ableton Live controller Griid, the importance of improvisation and playfulness in electronic music performances and sets, and most of all, staying true to oneself and not getting caught up in hype.

We talked to Orbital in the Moog Sound Lab about the sounds they crafted for the new special edition white Moog Slim Phatty Analog Synthesizer.

To hear the sounds they crafted visit Moog’s website: http://moogmusic.com/sight-and-sound/sound_gallery

In The Studio With Koushion: Moog, Ableton, And More

November 30, 2012 · Posted in Uncategorized · 1 Comment 

Koushion is a MIDI Step Sequencer iPad app that allows you to easily program drum patterns, melodies, and more using your existing hardware synthesizers, softsynths, samples, and other electronic music gear. In this video we use Koushion to sequence a variety of Moog analog synths, the Moog Guitar’s filter, and soft synths in Ableton Live. Look for Koushion in the Apple App Store.

Win a Moog Voyager signed by Moogfest 2012 Artists!

November 28, 2012 · Posted in Uncategorized · Comments Off on Win a Moog Voyager signed by Moogfest 2012 Artists! 

Enter the raffle NOW: http://bit.ly/U4RiQp
Here is your chance to walk away with a brand new Moog Voyager signed by the coolest artists who performed at Moogfest 2012. With artists such as Thomas Dolby, Les Claypool, Orbital, Nas, Miike Snow, Santigold, Squarepusher, GZA, Black Moth Super Rainbow… and historical artists such as Morton Subotnick and Herb Deutsch, this is an incredibly unique and valuable collectors item. It’s also the gold standard in modern analog synths! Watch the video to find out more.
Raffle ends November 30, 2012 at 11:59 PM, or when 700 tickets have been purchased. Enter now, while you can… you don’t want to miss this opportunity!

Moog Source “Get The Drive”

November 25, 2012 · Posted in Uncategorized · Comments Off on Moog Source “Get The Drive” 

Synthesizer demo track by RetroSound
“Get The Drive”

Moog’s Source was their first to offer patch memory storage as well as some other new features. It boasted 16 memory locations so you could finally save and recall your synth patches. A casette-tape jack was also implemented to transfer your patches to and from an external tape and free up the on-board memory for additional new patches. But in an effort to modernize with the eighties, the Moog had replaced all buttons, knobs and sliders with flat-panel membrane buttons and a single data-wheel assignment format. At the time, this may have seemed far-out, but in all actuality it is the Source’s downfall.

Parameters are edited not with hands-on sliders and knobs but by assigning a selected parameter to the dedicated data wheel. This is very tedious and does not allow for true hands-on tweaking during performances nor can you adjust different parameters simultaneously or while playing. These days, the membrane buttons don’t always seem to work quite right either. However, those famous monophonic Moog sounds are still inside this synth which has two fat analog oscillators and the legendary 24 dB Moog filter.

all sounds: Moog Source Analog Synthesizer + EHX Big Muff guitar effect pedal
drums: Korg ES1 MkII
recording: multi-track without midi
fx: a little bit delay and reverb

Attention! this is not a soft ambient track! 😀

the track @ soundcloud:
http://soundcloud.com/retrosound-ii/moog-source-get-the-drive

Antique Synthesizer 1970-1979

November 18, 2012 · Posted in Uncategorized · Comments Off on Antique Synthesizer 1970-1979 

All you can eat vintage synths on this nice Sunday morning, featured gear listed below:

MOOG Minimoog / ARP Odyssey / KORG MS-20 / E-MU Modular System / MOOG System 55 / Sequential Circuits prophet-5 / Oberheim SEM / Oberheim OB-1 / RML ElectroComp 100 / Roland-SH-2 / KORG 800DV / EMS Synthi AKS / YAMAHA CS10

Kevin Spears on Kalimba and Moog Ring Modulator

November 16, 2012 · Posted in Uncategorized · Comments Off on Kevin Spears on Kalimba and Moog Ring Modulator 

Kevin Spears explores new soundscapes playing his kalimba through a Moog MF-102 Ring Modulator.

The MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator, and voltage-contolled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.

A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator’s LFO can be used to modulate the carrier frequency. The moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in it’s use – you decide!

The moogerfooger ring modulator’s control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator’s parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4″ jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.

Imagine that the ring modulator’s carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator’s output will be a complex waveform. You will hear two pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.

More at www.experimentalsynth.com

Interview with Thomas Dolby at Moogfest 2012

November 15, 2012 · Posted in Uncategorized · Comments Off on Interview with Thomas Dolby at Moogfest 2012 

Electronic music pioneer, Thomas Dolby, sat down with Party Ben of Slacker Radio before his set at Moogfest 2012. Thomas Dolby (1958) is an English musician and producer. Best known for his 1982 hit “She Blinded Me with Science”, and 1984 single “Hyperactive!” he has also worked extensively in production and as a session musician.

Music video by Thomas Dolby performing She Blinded Me With Science (2009 Digital Remaster).

For more music and interviews from the festival, visit www.slacker.com/moogfest.

Moog Factory Tour – History of the Theremin

November 14, 2012 · Posted in Uncategorized · Comments Off on Moog Factory Tour – History of the Theremin 

This video has a little bit of everything… lol It features a quick look behind the scenes at the Moog Factory in Asheville, NC. We have a little history of the Theremin, and a peek of one being made in the factory… all the while PRIMUS jamming in the Moog Sound Lab. There is even a rare little jam with Les Claypool on electric drums and Jay Lane playing “Who’s got the funk” on Les’s acoustic bass! As I said… this video has everything! :)

The great folks at Moog Music were AMAZING! Asheville was AMAZING! Primus was AMAZING! Les Claypool is ALWAYS AMAZING (he even took a minute to pose for a picture goo.gl/pSisp )!

Thanks everyone… What an overall AMAZING time! :)

The Elektron Tapes – Aphex Twins inspired music

November 12, 2012 · Posted in Uncategorized · Comments Off on The Elektron Tapes – Aphex Twins inspired music 

Elektron tapes (#9). Beat making and noise design inspired by Aphex Twin, Autechre, Pan Sonic & Venetian Snares productions — using Elektron Octatrack, Moog Slim Phatty and Glamour Box.

Performed by sound artist & noise designer Zviij © 2012.
* Booking : zviij AT zviij.com
• Discography:
– Zviij “Quadrifolium” (Album/Digital) http://zviij.bandcamp.com/album/quadrifolium (Bandcamp)
– Zviij “Sub-system design” (Album/CD) http://www.odiolorgnette.com/discography.html
– Zviij “Naked flowers” (Album/Digital) http://zviij.bandcamp.com/album/naked-flowers (Bandcamp)

Zviij — (born Franck Smith) is a French sound artist, noise designer and electronic musician, active as a soloist, living and working in Brussels.

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