Deckadance 2 | Novation Launchpad (all variants) Demo
Version 2 of the DJ mixing application works either as a standalone program or as a VSTi inside your favourite host. Deckadance can also host any VST compliant softsynth or effect. Control Deckadance using MIDI controllers, timecoded vinyl and CD systems. Choose 2 OR 4 decks. Smart knobs link many interface targets to one knob. GrossBeat automated glitch, stutter & scratch functions. Isolator FX chain up to three FX per deck and apply to Low/Mid/High or all bands. Customizable interface and Smart panels select Cue, Grid, DVS, Key, Smart Knob and Tempo controls.
MIDI Script Here: http://support.image-line.com/redirec…
Deckadance 2: http://www.image-line.com/documents/d…
Music Credits:
Deck A1: Toby Emerson – http://www.image-line.com/documents/p…
Deck B: Christoph Maitland, Toby Emerson Feat: Veela – http://www.image-line.com/documents/p…
Deck A2: Seamless – http://www.youtube.com/user/SeamlessR
JOHN FOXX & JORI HULKKONEN – STRICTLY
Taken from the European Splendour EP which includes a remix by David Lynch.
(c) 2013 Sugarcane Recordings iTunes: http://bit.ly/16YZczb
Vinyl and CD Available on Amazon: http://amzn.com/B00DJ4JSZM
There are people vanishing in this city.
Conceptually based on original ‘Quiet Man’ artwork by John Foxx.
Credits:
Editing, Filming & Direction – Karborn, Xavier Boivin, Michael Kinsella-Perks.
Assisted by – Daniel Mancini
Shadow Man – Xavier Boivin
Shadow Woman – Yani Foord
Shot on location in East London. Treatments to video material includes re filming through Trinitron broadcast monitors and tracing paper, among other special effects.
Many thanks to everyone involved.
www.karborn.com
Commodore 64 – Monkey Island – Kompositkrut (remeade, No Emulation)
Kompositkrut rocks with a C64, details below:
Yo I remade the Monkey Island after a request. And I made a little demo or something to watch wile listening.
The song is composed in the native c64 tracker SID Wizzard 1.4 (by Hermit)
http://csdb.dk/release/?id=115599
The visuals are coded by me and I used Kick Assembler (by Camelot), Notepad++ and Charpad (by subchrist) for the gfx. The program visualisates the 3 voice on the SID
http://csdb.dk/release/?id=89532
http://csdb.dk/release/?id=101863
Yea and I crunched my program with BongoCruncher by Samar Productions
http://csdb.dk/release/?id=115758
Sorry for the poor video quality I recorded it via my Video capturing device, I will make my self a s-video cable. That might give me some higher video quality.
I will uppload the SID and the prg to CSDB after I done some adjustments 
Download free artist sound banks for your NORD Lead 4
Nord has announced six new artist sound banks for the new Lead 4 and Lead 4R are now available for free download. They tell us that six very different sound designers have created a wide range of new sounds covering everything from classic analogue vintage leads and pads, FM pianos, evil distorted rave basses and complex performance patches with multilayered synchronized arpeggiating monsters and much more.
The sound creators are ASL SoundLab, Federico Solazzo, Åke Danielson, Palle Dahlstedt, Kristofer Ulfves and Ulf “Vinyl” Stenberg.
The sounds are compatible with the Nord Lead 4 and the Nord Lead 4R and are transferred using the Nord Sound Manager.
Free download from the Nord Lead 4 Program Library
Novation – Bass Station II Acid Filter / Step sequencer capabilities
Short demonstration of Novation – Bass Station II focused on capabilities of Acid filter. Legendary Fatboy Slim pattern was programed using the built in step sequencer (no extrenal midi)…enjoy
Modular synths perform ‘A Progression of Angels’
A new Encore Electronics Frequency Shifter prompted David Ryle to patch the modular synthsizer for this piece.
This consists of a single vco (Synthetic Soundlabs 1200) with PWM from a Segwencer and CGS dual LFO. The pulse wave goes direct to the Encore FS and the Up and Down outs are routed to the Modcan 73B Dual Delay. The Frequency Shifter has a cv input from a Yusynth voltage controlled Quadrature LFO to make the bowed or pulsing sound.
The pitch voltage is from a synthesizers.com Q960 and Q119 sequencer pair. The Q960 is run into the Q119’s ADD INPUT and the Q119 is shifted every 16th division of the Q960 by way of an SSL TTLFO and Moon Modular 554 Octal Divider. The divider also sends sync timings to the 73B delay
A final mix of the outputs of the FS are routed to the studio mixer through a panner and each channel is split off to a Strymon Blue Sky reverb. A final pair of reverbs are the Lexicon MX200 and TC Electronic D-Two.
Recorded in Cubase 6 and video processed by Apple Final Cut Pro.
More goodies from Image-Line: Deckadance 2 | Numark N4 Demo
MIDI script here: http://support.image-line.com/redirec…
Remixing using Deckadance 2 and the Numark N4 controller
Deckadance: http://www.image-line.com/documents/d…
Music Credits:
Deck A: Veela vocals – http://www.image-line.com/documents/p…
Deck C: Sacco – http://www.image-line.com/documents/p…
Deck D: Seamless – http://www.youtube.com/user/SeamlessR
Instrument Clips in Bitwig Studio
This beta video highlights several of Bitwig Studio’s features for working with instrument clips. Switch between clip- or track-based note editing, bring more life into your composition using note expressions and and per-note micro-pitch control, or use the histogram-based inspector function on several notes at once to randomize or spread parameter variances, changing the feel of your instrument clips.
For more information visit: www.bitwig.com
All the details on the massive update on Native Instruments’ MASCHINE STUDIO and MASCHINE 2.0
Native Instruments has announced MASCHINE STUDIO and MASCHINE 2.0, the new flagship groove production studio and next generation of MASCHINE software.
Considerably bigger than the original hardware, MASCHINE STUDIO provides expanded tactile control and new hi-resolution color displays, setting a new precedent in intuitive, hands-on, computer-based beat production. As with the acclaimed MASCHINE and MASCHINE MIKRO, MASCHINE STUDIO is an integrated solution combining the latest software technology with a hardware-based workflow.
MASCHINE 2.0 features a host of enhancements – including a new mixer page and dynamic drum synth plug-ins – designed to deliver more power and speed to all three MASCHINE production studios.
Providing complete hardware control over virtually all software functions, MASCHINE STUDIO’s workflow is centered on 16 highly-responsive multi-color backlit pads, a new Edit Section with jog wheel, a Level Section and two hi-resolution color displays – a major hardware advancement. The displays enable producers to focus on MASCHINE’s hardware workflow, providing detailed visual feedback of the software’s powerful features. When editing samples or working in MASCHINE’s clip-based pattern sequencer, the displays show an overview of the full selection on the left screen while the right screen allows for detailed fine-tuning when slicing, editing, and composing. When browsing, the displays provide easy navigation and selection of projects, groups, sounds, instruments, effects, and samples with KOMPLETE Instruments and Effects product icons visible directly from the hardware.
A new Edit Section provides dedicated buttons and a jog wheel with LED indicators for visual feedback and enhanced functionality. The jog wheel allows quick adjustments to volume, tempo, and swing settings, and speeds up browsing and editing. The Level Section provides a convenient volume knob and a multi-purpose meter display for master, group, sound, and cue levels plus monitoring for up to four selectable input sources when a multi-channel audio interface is connected. Dedicated control buttons allow fast switching between MASCHINE STUDIO’s sampler, arranger, mixer, and browser, and provide direct access to channel settings and an all-new plug-in strip. For producers already using external equipment, one MIDI input and three MIDI outputs allow MASCHINE STUDIO to function as a command hub, controlling all equipment from one comprehensive controller. On the underside of the unit, a highly sturdy, built-in collapsible stand provides the optimal angle for working with MASCHINE STUDIO.
MASCHINE 2.0 presents a major revision of Native Instruments’ groove production software, delivering a host of powerful features to MASCHINE STUDIO, and both generations of MASCHINE, and MASCHINE MIKRO. A tag-based attribute browser makes samples and presets easy to find while the new plug-in strip make MASCHINE’s internal plug-ins much more accessible by displaying their individual user interfaces instead of generic buttons and knobs. A brand-new, dedicated mixer page provides detailed level adjustment and flexible routing of MASCHINE 2.0′s aux sends, plug-ins, and unlimited groups and insert effects. A new audio engine with multi-core technology adds sidechaining and allows higher instrument, effect, and plug-in counts, faster load times and more. High-quality 32-bit float internal summing delivers the latest advancements in professional sound quality.
Also new and exclusive to MASCHINE 2.0 are five drum synth plug-ins meticulously developed with Native Instruments’ years of experience in software synthesis. Each instrument caters to a specific drum type, and delivers an easy-to-use interface. The plug-ins are capable of a wide range of sounds – from crisp and digital, to warm and analog, featuring accurate acoustic-sounding drums. Because they are based on synthesis, producers have a refined level of control over the sound of each drum.
Not only are these plug-ins fully-adjustable and automatable directly from the MASCHINE hardware, they now add a signature sound aesthetic to the world of MASCHINE.
In addition to hosting any VST or Audio Units plug-in, MASCHINE 2.0 comes with an 8+ GB sound library of professional, production-ready sounds. Also included are full versions of Native Instrument’s acclaimed MASSIVE synthesizer, the unique synthesizer for percussive and mallet sounds PRISM, the powerful compressor SOLID BUS COMP, and the meticulously sampled vintage electric piano SCARBEE MARK I, providing a versatile setup ready for any production task. MASCHINE can be used as a standalone on either MAC or PC systems, but also loads as a VST, Audio Units or AAX plug-in in all major DAWs for seamless integration with existing production environments. MASCHINE 2.0 software features batch export of full songs, groups, and single sounds in lossless WAV or AIFF formats in up to 32-bit/192kHz quality. Import of older MASCHINE projects, iMASCHINE projects, REX files, and MPC programs is also fully supported.
MASCHINE STUDIO is available for purchase at retailers worldwide and at the NI Online Shop from November 1, 2013 for $999 USD / 999 EUR. MASCHINE 2.0 is included with MASCHINE STUDIO and all MASCHINE and MASCHINE MIKRO products shipping on or after November 1, 2013.
Current MASCHINE users can purchase MASCHINE 2.0 on the NI Online Shop from November 1, 2013 for $99 USD / 99 EUR. Customers who purchase MASCHINE or MASCHINE MIKRO between October 1, 2013 and November 1, 2013 will receive MASCHINE 1.8 with purchase and a free download for MASCHINE 2.0. They will be able to download the new software on November 1, 2013.
New electronic music from The Synthetic Dream Foundation and Iioioioii
The Synthetic Dream Foundation has just released a brand new music video for their track “Forever more (feat. Lauren Krothe)”. The track is off of the bands most recent release, “Where drowned suns still glimmer” and showcases the dark and glitchy orchestral direction the band has been moving towards in the last several years.
The music video also highlights the visual direction the band has been moving towards for both music videos and live video that they map onto 3d surfaces during performances. The vocals are provided by singer/songwriter Lauren Krothe, who also just recently released her debut album “Child of Babylon”, though you may also know her from her work with Panzer AG and Aesthetic Perfection.
As a compliment to the upcoming Double “A-Side” single “Rising Sky / Stardust”, Juggernaut Media Group is delighted to unveil for the first time the world of Synthpop/Ambient crossover artist Christopher Gurney, recording as IIOIOIOII (Pronounced “I.O”)
“Rising Sky” is taken from the forthcoming album “Sun”, scheduled for a November release on Juggernaut Media Group.
https://www.facebook.com/IioIndustria…
music.juggernautservices.com
DATAMASKIN
