Controllerism: MOLDOVER – NOT YOUR MIRROR
Background description:
We had Moldover “The Godfather of Controllerism” stop by Knocksville while he was on his SuperVillain Fall Tour and asked him to perform for us an exclusive unreleased song. Be on the lookout for his upcoming album it’s going to be unlike any of his past projects. Evolution is a beautiful cycle.
Both the guitar and mic controllers are prototypes I made for my recently completed Super Villain Tour. The microphone attachment is called The Mojito. It’s simply eight arcade buttons built onto a steel clamp that I use to control vocal effects. The guitar is an instrument I’m developing with Visionary Instruments named The RoboCaster (after a well known cyborg/guitar). It’s got every sensor I thought might be cool to have on there including accelerometers, an infrared emitter-detector, and a keyboard mod-wheel. This video highlights how I’ve mapped arcade buttons and a joystick to different intervals on a pitch shifter. Both controllers are tons of fun to play and have forced me to seriously re-approach how I play and sing.
The software I’m using is is Live, Max4Live & [Native Instruments] Guitar Rig. The song Not Your Mirror is from my forthcoming album FourTrack (kickstarter coming soon!). Grady Shon produced the video with help from Ben Shim & KnockSteady crew.
Learn more about Moldover
http://moldover.com/
A Touch of Wizdom
The ever inventing Jordan Rudess (Dream Theatre) is exploring his own apps, details below:
A fun look at the apps created by Wizdom Music.
Our website is: http://www.wizdommusic.com/
You can now follow us on twitter at @wizdommusicapps
The keyboard I’m using is IK Multimedia’s iRig keyboard.
It plugs directly into my iOS devices and does not need additional power or a midi interface! Also I used the awesome Looptastic app by Soundtrends for some backing track help.
Geo Synthesizer, SpaceWiz, MorphWiz and SampleWiz
Ableton Live 9 beta (audio to MIDI & Autechre)
More featuring of the Ableton Live 9:
http://designthemedia.com + http://julienbayle.net
Track “are y are we” by AUTECHRE
As an ableton certified trainer, I’m lucky to be involved in the early beta test of Live 9
Here is some early plays with the very new audio to midi feature.
You can also see the glue compressor, the new browser too.
Haken Continuum/Kyma Demo with Sally Sparks
A quick look at the Haken Continuum and Kyma sound engine. Thanks to Sally Sparks for the demo.
More at www.experimentalsynth.com
Roger Linn and Carl Craig: ‘Evolution of Drum Machines’
More info: http://bit.ly/TIfQZj
During Dubspot’s recent trip to Seattle’s Decibel Festival, our video team caught up with Roger Linn, the godfather of the modern drum machine, Carl Craig, one of Detroit’s most talented producers, for a lecture/discussion about the history and evolution of the rhythm machines that have shaped our musical world.
One of the most inspiring elements of Seattle’s annual Decibel Festival is the conversations that transpire between some of the world’s most talented musical thinkers. Decibel acts as a catalyst for these moments, with lectures and demonstrations taking place throughout the festival. We were especially excited to catch a workshop where drum machine creator and pioneer Roger Linn joined Detroit techno innovator Carl Craig for a talk on the evolution of drum machines and the future of electronic rhythm.
In this video, Linn explains that our assumption of drum machines appearing in the early 80s is incorrect, and he takes us on a tour of early electronic rhythm devices such as Leon Thermin’s Rhythmicon (1930), the Chamberlin Rhythmate (1957), Raymond Scott’s Bandito the Bongo Artist (1963), Seeburg’s Select-A-Rhythm (1964), the PAiA Programmable Drum Set (1975) and the CompuRhythm CR-78 (1978). Craig probes with questions regarding interface design for musicians vs. engineers, discusses the development of drum interfaces, and talks about how the Akai MPC changed his production and composition techniques.
Exclusive: Listen to the new single “Sweet Sexy Virgin” from the upcoming Steelberry Clones album
After a couple of years working on other projects Steelberry Clones returns with a new single titled “Sweet Sexy Virgin”. This is the first release from their upcoming album called “Retrosonic Voices” that will be released in Q1 next year.
The new single features Adelinne as guest vocalist and the song deals with a hot topic – women trafficking. Steelberry Clones has always tried to do a blend of music that deals with subjects that concerns us, paired with retrospective quests into things that intrigues them, such as space, 1950’s, technology advancements, historical events and personal experiences. The new single combines hard beats, 8bit sounds, massive synth basses and the strong voice of Adelinne, to create something that pushes the envelope in modern electronic pop music.
The new release “Sweet sexy virgin” will be accompanied with a video in the coming week, and yet one other single will be released before Christmas. The new album “Retrosonic Voices” is due next year and will combine the best of modern electronic pop music with old-school sounds from the past 30 years of electronic music.
Track details:
Artist: S T E E L B E R R Y C L O N E S – featuring Adelinne
Title: Sweet sexy virgin
Album: Retrosonic Voices (Q1-2013) – will be released on iTunes, Spotify, Amazon and Limited edition hard copy
Label: Stereoklang Produktion
Ellipsynth 1.0 Sound scrubbing demo
If you make Ellipsynth monophonic (by setting the polyphony to 1), it’s pretty easy to make a sound scrubber. You can actually do this polyphonically as well, but it’s easier to control with just one voice. Here, I’m not playing with the pitch or the playback speed too much, but you can see what that might get you.
Hadron – new particle synthesizer plug-in
Partikkel Audio has introduced plug-in versions of its Hadron particle synthesizer, previously released for Max for Live.
The Hadron plugin is your ultimate granular synthesis tool. In fact it is such a complete implementation of granular synthesis we’ve renamed the technique to particle synthesis. The plugin is of course free and open source.
For your convenience, we’ve made a preset system allowing you to quickly get started making music with it. All presets have selected “expression controls” to allow creativity and flexibility, and you can morph between presets for ultimate creativity. The plugin comes with a basic set of presets, and you can buy additional preset packs to expand your sonic palette. This kind of presets is called “states” in Hadron.
Hadron can be used as a synthesizer or an audio effect. It can also seamlessly morph between different sound processing methods, so you can make the plugin gradually change from synthesizer to audio processing mode. This is all part of the state morphing system, accessible via the big 2D joystick control.
You can also use live sampling as a sound source for manipulation with Hadron, as well as audio files and live audio input.
Hadron for Windows and Mac is a free download. Expansion packs are available to purchase for 29 EUR.
MicroKorg Tutorial: Ambient Synth Lead Sound
Background information and tutorial settings below:
This is a MicroKorg tutorial showing how to make the synth lead sound from my “Sunday Synth Jam” Video: http://www.youtube.com/watch?v=pp8620beSxY If you have questions or comments, go ahead and post them below!
Thanks for watching!
____SETTINGS:____
Initialize the sound on the MicroKorg by pressing SHIFT + 3 and then 3 again.
Pitch: 0 – 0 – 10 – 5 – /
Osc1: SIN – 0 – 0 – / – /
Osc2: SQU – SYC – 12 – 0 – /
Mixer: 127 – 54 – 0 – / – /
Filter: 12.L – 61 – 84 – 15 – 19
Filter EG: 0 – 0 – 33 – 31 – ON
AMP EG: 0 – 77 – 64 – 107 – ON
LFO 2: SIN – OFF – OFF – 12 – /
Patch 1: LFO.2 – CUT – 10 – / – /
Patch 2: LFO.2 – 2.TN – 10 – / – /
Mod FX: ENS – 50 – 99 – / – /
Delay: L-R – ON – 1.4 – 50 – /
Press SHIFT + WRITE and then WRITE again to save the sound to the current slot.
The history of synthmate UI
“I finally grabbed all my small screen casts i made of synthmate as i developed it. It begins with the original concept, inspired by and using Matt Gemmell’s multi-touch demo (mattgemmell.com/2010/05/09/ipad-multi-touch/). It then moves on to the control panels and initial look and feel. Later, there are some different visual ideas i played with before arriving at the final look.”


