BlackSmith – new virtual drum instrument for Native Instruments Kontakt

August 7, 2013 · Posted in Uncategorized · Comment 

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Analogue Drums has launched BlackSmith, a virtual drum instrument for Native Instruments Kontakt.

BlackSmith is a modern metal workhorse with an aggressive yet toneful sound. This kit will lay an unshakable foundation for any metal track, or any other genre where a tight punchy articulate kit is called for.

BlackSmith gives you several mic layers to blend to your taste, easily taking the sound of the kit from clean and tight to spacious or dirty with the push of a fader. Three swappable snare variations help fit the kit to your track.

The kit we sampled is a top-of-the-line Sonor SQ2 Acrylic set, with three snare options, and classic Zildjian A Custom cymbals. The kit was sampled in Melbourne’s Sing Sing South studio, a medium sized tracking room.

BlackSmith features

  • Multi-sampling: each kit component contains up to 7 velocity layers for expressive detail and dynamics, and 6x round-robin hits for every single zone for realistic performances.
  • Mic layers: 6x individually controllable mic layers: Close mics, Overheads, Room mics, Smash mic, Kick Sub, and Snare-Bottom
  • eKit mode switch to ‘eKit’ mode when using a Roland V-Drum kit, or leave set to ‘Keyboard mode’ for direct MIDI sequencing. The layout is General MIDI (GM) compatible.
  • Output routing: stereo and multi-channel output versions provided.
  • Sensitivity control: increase the sensitivity of the kit for more intricate and subtle performances or leave it set to full dynamic range for heavier tracks.
  • Presets: for quickly accessing different sounds.
  • Trigger maps: for sound replacement: kick, snare, toms – each with separated mic layers

BlackSmith is available to purchase for $29 USD. Requires Kontakt 4.2+ full retail version.

More info here >>

FK13 – new virtual Korg Mini-Pops 3 drum machine

July 17, 2013 · Posted in Uncategorized · Comment 

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Forgotten Keys has released FK13, a virtual Korg Mini-Pops 3 (AKA Univox SR-55) analogue drum machine.

The FK13 features isolated multi-samples of each drum sound and re-creations of all the internal rhythm patterns. These patterns can be combined with each other like the original. The volume, panning, tuning and mute status of each sound can be adjusted, and the MIDI input and audio output routing can be customised. The interface is designed to have an authentic layout.

Price: £3.

Get it here >>

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The Korg Mini-Pops 3 (also sold as Univox SR-55 and Aria Diamond) should not be confused with the drum machine used by Jean-Michel Jarre on his Oxygene album as you often see misstated in online auction adverts. For that, you need the Mini-Pops 7. No, the MP-3 will not create the famous Jarre rhythm but it will create some nice retro analogue sounds and rhythms. Of the nine sounds available most are similar to the MP-7 with perhaps the exception of the bass drum and cymbals. Indeed, the drum sounds are created using inductor coils, or tuned resonant tanks as they are often called just as on the MP-7.

Rhythm-wise, there are twenty named rhythms but the foxtrot/swing rhythm requires more explanation. It has 36 variations of its own due to the two knobs below it that select between six drum and six cymbal variations. The other rhythms are divided into two groups, each with its own upper/lower selector switch, so more combinations are available than on the MP-7¹. As usual, rhythms can be combined.

Anaphobia Destro 1.0 arrives!

July 16, 2013 · Posted in Uncategorized · Comment 

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Destro is another monophonic virtual analog synthesizer and goes on where AnaMini ends. Once again a monophonic virtual analog synth, Destro features one VCO, two LFOs, a noise generator, a VCF and a VCA. On top of the synthesizer, Destro also provides a programmable step sequencer so you can create your own patterns and songs. Furthermore, Destro adds a noise generator and foldback distortion unit, as well as a 3-part drum synthesizer module!

Features (Synthesizer)

  • One main oscillator (VCO) with selectable wave type (saw, square, noise and sine) and scalable within the range of -1 and +1 octaves.
  • Two low frequency oscillators (LFO) with selectable wave type (saw, square, noise and sine) and selectable frequency/rate and depth. LFO1 modulates VCO1 frequency while LFO2 modulates VCF cutoff frequency. LFO’s synchronise to MIDI/sequencer tempo at 1/32, 1/16, 1/8, 1/4, 1/2, 1, 2, 4, 8 or 16 notes.
  • One VCA with fully customizable ADSR(A) envelope.
  • One 24dB/octave VCF with three filter types (Low Pass, High Pass and Band Pass), selectable cutoff frequency and resonance and a fully customisable ADSR(A) envelope.
  • One noise generator with fully customisable ADSR(A) envelope.
  • Foldback distortion unit with adjustable threshold.
  • 5 factory presets.
  • 10 custom presets.

Features (Sequencer)

  • 4 beats-per-pattern, 4 steps per beat step sequencer.
  • Adjustable tempo from 20-200BPM.
  • Adjustable swing.
  • Supports note on, note off and legato commands.
  • Supports MIDI Clock IN synchronisation
  • 5 factory patterns.
  • 10 custom patterns.
  • Features (drum synthesizer)
  • Bass drum, snare drum and hihat parts, using the same synthesizer technology as the main synthesizer.
  • Each part has its own track in the sequencer.

Note: first content update will follow soon and will contain the following features:

  • 3-Octave keyboard/ribbon controller
  • AudioBus support
  • Audio record and export function

Anaphobia Destro is priced at $1.99.

Get it here >>

Checking out the new Garritan Instant Orchestra cinematic virtual instrument

May 30, 2013 · Posted in Uncategorized · Comment 

For full details visit: http://bit.ly/YI0HgY

Garritan Instant Orchestra is about instantly producing orchestral music very quickly and easily. Our goal is to provide an instantly playable orchestral library with many pre-packaged orchestral sounds.

This library was designed to be an effective shortcut to reach your musical goals. Consider it as a Swiss army knife for musicians – a clean, simple, multi-purpose orchestral tool that will allow you to do many things in an instant. Moreover, it is affordable and fulfills our mission of simplifying and democratizing making music and orchestrating.

Instant Orchestra is for those who do not want to spend time building orchestrations with one instrument or section at a time. It provides pre- packaged groups of instruments, combined sections, orchestral effects, and mood-based presets. Instant Orchestra is designed for those who know little about orchestration or do not have the time to build them. The idea is to provide a large variety of lush, playable orchestrations with the least time and effort.

This is mostly to show what is available and what IO is about. It does not even touch the amount of patches one can use. Often I just randomly hit the notes with the mouse in some cases. I did not want to make a composition, just simply show some stuff from each folder including big multis that are presets to give instant gratification.
I hope this clears up any misconceptions. It is a swiss army knife for orchestra.

Get it here >>

UVI has released Digital Synsations | Official Trailer UVI©

April 12, 2013 · Posted in Uncategorized · Comment 

UVI has released Digital Synsations, a new virtual vintage synths collection inspired by four 90s classic keyboards – the Yamaha SY77, the Korg M1, the Roland D50 and the Ensoniq VFX.

❐ Buy Digital Synsations : http://bit.ly/digital-synsations
❐ UVI Official Website : http://www.uvi.net
❐ UVI Official Blog : http://blog.uvi.net

A brand-new massive library inspired by four 90s classic keyboards — the Yamaha SY77, the Korg M1, the Roland D50 and the Ensoniq VFX : UVI Digital Synsations

Digital Synsations includes over 500 patches expertly programmed on a fully restored Yamaha SY77, Korg M1, Roland D50 and Ensoniq VFX‚ used by many of the greats including Depeche Mode, The Cure, Pet Shop Boys, Vangelis, Brian Eno, Toto, 808 State, Jean Michael Jarre and more.

We deeply multi-sampled these custom patches using top-shelf equipment and edited them to perfection before sending them off for professional mastering. These sonics became the foundation for our new hybrid instrument and combined with the UVI Engine give you the true character of these classic synths with all of the peculiarities and programming by products intact. Not only that but you get them in an extremely easy to use and fast to edit environment complete with all the features you expect from a modern virtual instrument.

If you’re looking for a new take on the 90′s sound, or just some new classic synth inspiration then look no further.

———————————————————————————

* UVI is not affiliated, endorsed or sponsored by the Yamaha Corporation, the Korg Corporation, the Roland Corporation or the Ensoniq Corp. All trademarks are held by their respective owners.

** iLok required

Preview: MONARK – the new Virtual Analog Synth from Native

March 22, 2013 · Posted in Uncategorized · Comment 

Sneak peek at Native Instruments’ newest software synthesizer, Monark: a re-creation of classic analog monosynths like the iconic Minimoog Model D.

Matt Cellitti has been working with Monark for awhile and made this sneak preview video for us giving a brief tour of how this synth is laid out and how to use it. He also demos some of the presets to give an idea of the kind of sounds this new/old instrument is capable of.

For more info: http://blog.dubspot.com/monark

SOTU – new virtual instrument from Hollow Sun

February 20, 2013 · Posted in Uncategorized · Comment 

SOTUMain

A new instrument from Hollow Sun

“If you have even the vaguest interest in anything cosmological, you will no doubt be aware that NASA and other international space agencies have been sending probes out into the deepest recesses of our solar system and, with the aid of telescopes as well, have been recording the radio waves emitted by our universe and converting them to audio. The music of the spheres as was once referred to in the middle ages … or the Sounds Of The Universe … or SOTU.

It’s intriguing and beguiling stuff – long evolving soundscapes that rumble and warble and bleep and phase and swirl, the kind of thing you might expect from an exquisite album of abstract electronica or ‘chill out’ music. I did contact NASA to license these recordings but they weren’t keen. Well… bollocks to them because…

It’s all a con, a cunning ruse – there’s a race of impish aliens out there who have a machine that generates these sounds which they broadcast around the cosmos to confuse us earthlings …

And we have laid our hands on it and recreated it for Kontakt 4…”

Heat Synthesizer for Android – browsing some presets and editing

February 19, 2013 · Posted in Uncategorized · Comment 

Heat – Music Synthesizer App for Android, available in the Google Play Store:

https://play.google.com/store/apps/de…

A virtual analogue subtractive synthesizer with online Preset Browser, everyone can share sounds directly from within the app. The synthesizer has full VST integration, use the Heat Android App as a controller for your VST plugin, design patches while on the way and use them later in a VST sequencer of your choice.

Everything you hear is recorded straight from the line out of a Google Nexus 7 Android 4.2 tablet.

For more info visit http://heatvst.com

  • Design sounds while on the way, store sounds on your local Android Device or use the Collaborative Preset Manager to store your sounds online, making them available to everyone.
  • Control the VST plugin from your Android device in realtime
  • See parameter automations from your sequencer in realtime on your Android device
  • Use the Collaborative Preset Manager on your Android Device to select from a big variety of sounds, made from other users all over the world. Select sounds on your Android Device, while connected, they are immediately loaded by your VST plugin.
  • Use the integrated keyboard of your Android Device to send midi events to your sequencer

Subtractor Basics – Micro Tutorial for Reason DAW

February 11, 2013 · Posted in Uncategorized · Comment 

Subtractor, the original Reason synth, still packs a punch! In this tutorial we’ll learn the basics of this virtual analog classic by creating a synth bass from scratch. Regardless if you own Reason, Reason Essentials or if you’re just trying out the demo, this should get you started creating your own sounds with Subtractor!

Two hot new instruments: Vacuum Pro Polyphonic Analog Tube Synthesizer and Loom Modular Additive Synthesizer

January 24, 2013 · Posted in Uncategorized · Comment 

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AIR Music Technology has expanded their virtual instrument offerings with the Vacuum Pro Polyphonic Analog Tube Synthesizer and Loom Modular Additive Synthesizer. They tell us that both programs are compatible with 32- or 64-bit Mac or Windows systems, and both support the new AAX plug-in format, as well as traditional VST, AU, and RTAS formats. Here’s their press release with all the details…

Vacuum Pro is a polyphonic analog tube synthesizer that travels light-years beyond the original monophonic Vacuum, first developed by the AIR team as part of the Pro Tools® Creative Collection from Avid®. The new Vacuum Pro is polyphonic, offering up to 160 oscillators plus substantial improvements in both horsepower and features. Loom is an entirely new modular additive synthesizer. While both of these new synthesizers offer an amazing amount of detailed control, each also provides programming aids and shortcuts to create custom user-created sounds quickly. Each contains 250 presets created by the AIR team. The Eco (economy) mode reduces the draw on the host processor, with minimal effect on the final sound.

“We offer the customer the best of both worlds,”
said Samara Winterfeld, Principal Product Manager, AIR Music Technology, “The organic sound of a vintage/analog synths, combined with the flexibility/capability of a virtual instrument.”

Vacuum Pro
Polyphonic Analog Tube Synthesizer
The Vacuum part of the name Vacuum Pro relates to the six tube circuits that lend a particularly analog flavor to each of the main synthesis modules–oscillators, filters, mixer, etc. Vacuum Pro combines this vintage, organic sound with the versatility of up-to-date virtual instrument control. The interface is populated by single-function knobs, delivering a vintage feel that reflects the rich analog flavor of the instrument. Modulation effects, delay, and a classic arpeggiator add motion and depth to the sound.

Vacuum Pro sounds are created using one or two parts. When creating parts, the Smart Sound Randomizer allows new values to be created instantly for any or all selected modules. This makes it easy to keep an interesting oscillator sound, for example, while quickly trying out new filter settings. In addition, the Parts Lock feature allows the current settings of any modules (both parts) to be retained when changing sounds, providing a fast way to combine elements from different patches. Best of all, the Easy Sound Design Page reduces the dozens of front panel knobs down to eight, grouping related controls together for rapid results.

Loom
Modular Additive Synthesizer
Loom weaves together a unique sonic spectrum, offering between 128 and 512 individual additive harmonics. Using an innovative modular approach, Loom has made additive synthesis both powerful and easy to control. Loom provides 30 sound modules, each with a distinct function–moving filter, octaver, repeater, second tone, etc. Up to 10 of these modules can be connected in a string. Spectral modulation, extensive envelope control, and multiple LFOs deliver deep control. Onboard effects provide the finishing elements for each sound.

The Smart Morph Page is where Loom really comes to life. In addition to real-time knobs offering sound, dynamic, modulation, and effect control, this simplified editing page also opens up the extensive morphing capabilities of the Loom additive sound engine and effects. Four assignable quadrants on an X-Y display provide incredible morphing control. Custom morphing paths can be plotted using points and segments. These morphing paths can then be automated, placed under MIDI control, and even synced to the tempo of the host program, creating a morphing pattern that takes 8 or 16 bars to complete, as one example. Intuitive color-coding makes the Loom graphical user interface easy to understand

More information:

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