Alpha Plus – free advanced trance synthesizer

January 7, 2013 · Posted in Uncategorized · Comment 

t-force-alpha-trance-synth

Alpha Plus is a free ‘advanced trance synthesizer’ for Windows.

It’s a three-oscillator subtractive/FM synth with built-in delay and reverb.

Details and audio demos for Alpha Plus below:

Features:

  • Synthesis: Subtractive/FM.
  • 3 Multiwave Oscillators with voice control (adjustable from 1 to 8 voices per osc), adjustable stereo width and panning, with Sine, Saw, Ramp (reversed Saw), Triangle, Pulse (square with PWM) waveforms and retrigger option for each oscillator (with “retrigger off” the oscillator is in free running mode, the oscillator starts with random phase positions everytime played a note, with “retrigger on” the oscillator’s phase starts from position 0 everytime played a note.
  • 1 Noise Oscillator with adjustable stereo width and volume.
  • 1 Resonance Four Pole State Variable Filter, switchable between Low Pass, High Pass, Bandpass and switchable 12/24 dB slope, Resonance can be driven up to self oscillation.
  • 1 ADSR Filter Envelope.
  • 1 ADSR Amp Envelope.
  • 2 ADSR Mod Envelopes.
  • 2 host syncable LFOs.
  • Adjustable Drive function for Saturation/Distortion.
  • two band Low Freq/High Freq Equalizer.
  • Bitcrusher.
  • Portamento.
  • 32 step Envelope Controlled Trance Gate.
  • Velocity control (on/off).
  • Dual Delay, switchable between Stereo mode and Ping-pong mode (right and left channels have their own tempo settings).
  • Stereo Reverb.
  • integrated Sidechain FX, optional with internal bpm synced triggering or external triggering via MIDI In (triggered by MIDI Note On, on MIDI channel 2). Note: see the manual of Your DAW for informations how to route a second MIDI Track to a VST/VSTi, because some DAW’s have different ways of MIDI routing.
  • all functions fully automatable.

Get it here >>

NI Absynth – Brian Eno – “An Ending (Ascent)”

January 4, 2013 · Posted in Uncategorized · Comment 

Anthony Distefano’s Absynth version of Eno’s “An Ending (Ascent)” from Apollo: Atmospheres and Soundtracks. This was all done using Absynth’s envelopes.

Virtual Model Mini – new virtual synthesizer instrument for Windows

January 1, 2013 · Posted in Uncategorized · Comment 

elektrostudio_M_min_thumb

Elektrostudio has released the Virtual Model Mini, a virtual synthesizer instrument for Windows.

Virtual Model Mini features

  • Polyphony: Monophonic.
  • Timbrality: Monotimbral.
  • Oscillator: 3 VCOs, white/pink noise.
  • LFO: Oscillator 3 can function as LFO.
  • Synthesis type: Analog Subtractive.
  • Filter: 24dB/oct, 4-pole lowpass filter, resonance, ADS envelope generator, key tracking.
  • Attenuator: ADS envelope generator.
  • Effects: Frequency modulation using oscillator 3/noise.
  • External Signal: Feedback mode in VSTI version.

The Virtual Model Mini is available as a freeware VST instrument plug-in for Windows.

More info here >>

“Inside the Grid on Altair IV” – A One-Note One-Patch Soundscape in Absynth 5

December 23, 2012 · Posted in Uncategorized · Comment 

My Colorado based electro friend Mark Mosher explores Absynth 5, details below:

“Inside the Grid on Altair IV” is a soundscape created with one patch from scratch using the virtual synthesizer Absynth 5. It is performed be pressing and holding a single note for the entirety of the song. While I have used Absynth as the sole instrument for songs in the past (Tracks 3 & 4 on my last album markmosher.bandcamp.com/album/no-ghosts-just-fear), I’ve never created a patch where one held note triggers the entire composition. Recent works by Absynth creator Brian Clevinger and artist Anthony Distefano have inspired me to do start working on some pieces of this nature and this is my first of many to come.

The audio is CD quality, and the video shows a behind-the-scenes look at Absynth’s wonderful 68-stage modulatable envelopes in action. So all the movement and changes in dynamics, pitch, timber are meticulously drawn and programmed as part of the patch. The envelopes also support LFOs on segments. The envelopes can be extremely long and also loop independently which making Absynth fantastic for evolving soundscapes.

Note, I am also using an envelope to change the “effect time” of the Pipe Effect which is a unique audio effect within Absynth. P. 88 of the manual describes it best “Let’s take the image of a string. A loudspeaker (a contact loudspeaker) is connected to a string, which begins to vibrate as a result. You can determine the position of this virtual loudspeaker on the string via the parameter Input Position. Above the string are two pickups, similar to an E-Guitar. The pickups’ positions can be determined through the parameter Output Positions. Changing those two parameters can be compared with changing two microphones. You can modulate the string’s length and the pickups’ position through the LFOs or a MIDI Controller. This way, various flanging, pitch-shifting and rotary speaker effects can be achieved. These effects are particularly apparent when the modulation of the pickups are modulated in op¬posite directions.”

PreBrute Worlds First MiniBrute Based Kontakt Synth

December 22, 2012 · Posted in Uncategorized · Comment 

So right before Xmas Arturia’s MiniBrute goes virtual for Kontakt, details below:

Programmed pre-sets for PreBrute are listed below for each demo
Festive Introductory Offer- 25% Saving at checkout until 07/01/13
http://www.precioussound.com/prebrute

DEMO – Downtown (Part 1)
Percussions: Synthetic Percussions (JW)
Percussions: Junkyard Orchestra (JW)
Percussions: Flabby Kicks 3 (JW)
Keys: Cyberphone (JW)
Bass: Fretless Smoothie (JW)

DEMO: Serenade
Bass: Serenade Bass (PS)
Pad: Serenade Pad (PS)
Lead: Serenade Lead (PS)
Drums: Maschine PreSid Kit Serenade

DEMO – Solitude
Keys: Grand Piano (Solitude) (JW) (two instances for panning purposes)
Pads: Retro Strings (Solitude) (JW)
Pads: Space Pad (Solitude) (JW)

Demo: Runner
Pad: Runner Pad Modulate Lp Master Filter (PS)
Pad2: Runner Pad Map Hp Master Filter (PS)
Bass: Runner Bass (PS)
Lead: Runner Lead (PS)
Drums: Maschine PreSid Kit Runner

DEMO – Downtown (Part 2)
Percussions: Res Toms (JW)
Percussions: Industry Snares (JW)
Percussions: Dance Kicks 2 (JW)
Percussions: Glitch 1 (JW)
Keys: Cyberphone (JW) (modified with a longer attack)
Bass: Fretless Smoothie (JW) (with modified cutoff)

Demo: Sunshine
Pad: Sunshine Pad (PS)
Stabs: Sunshine Chord Delay Stabs (PS)
Bass: Sunshine Bass (PS)
Lead: Sunshine Lead (PS)
Drums: Maschine PreSid Kit Sunshine

DEMO: For Clifford…
keys: Mr Wait’s Bourbon (JW)
lead: Manik Moon (JW)

Demo: Breakdown
Stabs: Breakdown Delay Chord Stabs (PS)
Stabs: Breakdown Accordion Like Chord Stabs (PS)
Bass: Breakdown Bass (PS)
Drums: Drum break used

Demos composed by Jonathan Watridge and Precious Sound
JW= Jonathan Watridge
PS=Precious Sound

Specifications:

• 2.16GB Kontakt 5 Library
- 7612 24bit samples
- 0.92GB Ram usage for first instance 200mb per instance after per project

• Equipment used
- Arturia MiniBrute
- AMS 1073lb (Class A)
- API 512C (Class AB)
- Type 1 cassette through a Tascam 122 MKIII

• 20 Waveforms sampled from MiniBrute
- 4 Flavours Per Osc (Raw/1073/512C/Tape)
- 80 Possible waveform choices per Osc

• 4 Oscillators
- Independent Amp ADSR / Filter ADSR
- 2 Switchable Envelopes per Osc Amp Adsr (Normal/Punch)
- Inv Phase per Osc
- Sample start adjustment per Osc

• Octave function
- Shift +/- 3 octaves per Osc (natively plays samples does not tune sample)

• Copy paste
- One Osc’s settings to another Osc

• 2 LFOs per Osc
- Adjustable Speed, Depth and Sync
- Shape: Sine, Triangle, Rectangle, Sawtooth, and Random
- Destination: Filter Cutoff, Filter Resonance, Osc Volume, Osc Pan, Osc Tune and Osc Fine Tune

• 7 FX per Osc
- Lo-fi / Distortion / Flanger / Phaser / Chorus / Saturation / Limiter

• 6 selectable Filters per Osc
- LP / HP / BP / Notch / Phase / Vow
- Adjustable Key track and Velocity amount

• Global Dual LP/HP Filter
- Global filters can be linked to behave like a BP Filter

• Global summing mixer
- Global Insert effects Width / Distortion / Tape Saturation / Eq / Limiter
- Global send effects Phaser / Flanger / Chorus / Ir Reverb / Delay
- Unison (up to 8 voice)
- Global Amp ADSR with a softer curve

• Onboard Preset system
- load and save presets via the global panel
- All sounds heard in all demo’s are available in the preset folder
- 45 presets to help get you started

• Intuitive design
- Large LED info Panel for a visual aide when setting up the synth

• Raw tones modulated within our engine

• Non-Intrusive Protection
- Sales are automated and you will recieve download links
- .NKI file (Instrument file) will be sent to your email address seperatly.
- Serial numbers are displayed on the global section of the instrument.
- our samples are not watermarked
- no file sent to you contains any personal information simply a serial number.

- PreBrute Kontakt £39.99 Inc VAT / $49.99 (Valid VAT numbers can be entered at checkout)

Checking out the new version of Animoog (V2)

December 22, 2012 · Posted in Uncategorized · Comment 

Moog Music has updated their Animoog app to version 2.0. This major update to the iOS synthesizer is free for existing Animoog users and includes many user requested features and product enhancements, including: accelerometer integration which gives Animoog owners the ability to tilt their iPad in any direction as an interactive 3D modulation source; note hold and scale lock, and tools for advanced users like, Load/Save MIDI CC maps, Audiocopy/Audiopaste integration and support for the new Audiobus platform.

“Also, as a holiday gift, Animoog V2 features apowerful 4 Track Recorder, which gives Animoog users the ability to record audio from within Animoog or import audio tracks directly from their iTunes library. Users can then split, loop, copy, paste, and share individual clips, or mix down entire songs and upload them directly to SoundCloud, all from within the Animoog’s universe.” – moogmusic.com

For more info: moogmusic.com/news/animoog-v2-4-track

Klaus Schulze inspired modular synth – KX POLYMOD

December 16, 2012 · Posted in Uncategorized · Comment 

KX-Polymod is a free modular synth for Windows, inspired by Klaus Schulze, who the developer calls “my electronic music reference.

Features:

  • Stereo routing.
  • Up to 6 voices.
  • 15*12 Matrix controlled by 5*5 Sub matrix, include 4 Kxmod sources!
  • 5 Vcos with 5 waveforms, include the TriSaw, with Phase modulation and Sync (Vco1 only).
  • Oscillators 100% compatible with the Kx-Modulad’s waveforms (med, 498k).
  • 1 Stereo SF2 player (16 and 24 bits).
  • 1 SF2 drum set (24 bits, 12 samples, 3.3 Mo).
  • 4 Keyboard traking (-10 to 10) for the Vcos and the Vcfs.
  • 1 Ring Modulator with EQ.
  • 1 Noise Generator with EQ.
  • 1 Monophonic LFO with ADSR.
  • 2 Mulitmode VCFs (20) with oversampled processes.
  • 4 Polyphonic EGs with curves for each segment, velocity and Kbd controls.
  • 1 X Y joystick controller.
  • 1 Sample & Hold.
  • 10 host sync clocks.
  • 1 compressor.
  • 1 oversampled Distortion.
  • 1 Soft Vintage EQ.
  • 2 Delays with sync, multimode filter and modulation oscillator with sync.
  • 1 Scope with 10 ms of buffer size.
  • 1 Frequency display.
  • 1 Note pad.
  • Full Midi learn.
  • Internal Fxp and Fxb management.
  • 128 KX’s presets, very 70′s!

KX-Polymod is a free download here >>

Background video description:

Sometime I like to do some improvisation like K. Schulze,
just because this author is my electronic music reference.

I give my apologies for the listeners because
this is not really always correctly played!
It’s just some ideas, a moment, not really solid …

All tracks are done with the Kx-PolyMod, also the drum tracks with its SF2 player.
The way to do this kind of music is always to start with a simple sequence.
I transpose all tracks with the bender, it is limited but I can do that when I feel it.
I used the Kx-MidiFilter to create a bender track.
I used few Kx-synth-x16 voices to do the background sequence (x16)
and one track of the X16 sequencer is used to control drums
with a plate reverb does with the Mverb.
Some sample and hold fx chord tracks are synchronized with the tempo.
The lead is an imaginary Moog lead like KS’s albums of 70′s.

Inside Neo Soul Keys – Virtual Electric Piano powered by HALion

December 14, 2012 · Posted in Uncategorized · Comment 

Jamal Hartwell gives you the grand tour of the features to be wowed in Neo Soul Keys Virtual Electric Piano by Steinberg. (Part 1 of 2)

Combining faithful recordings of vintage keys with state-of-the-art technology employed in Steinberg’s engines and effects, Neo-Soul Keys proves to be the ultimate electric piano experience.

http://www.steinberg.net/en/products/vst/neo_soul_keys/start.html

Feature overview:

  • Faithful sampling of original Mark I suitcase piano
  • Elaborate interface for direct access and intuitive workflows
  • VST Amp simulation with 6 different classic amp types
  • Premium effect section: tube distortion, chorus, flanger & more
  • Vintage modeled vibrato with intensity and speed control
  • Realistic sounds & authentic bass, mid and treble boost
  • Adjustable velocity curves for individual playing behavior
  • Bark samples for classic grit sounds for authentic vintage sounds

Propellerheads announces the PX7 FM Synthesizer – Rack Extension

December 12, 2012 · Posted in Uncategorized · Comment 

For more information: http://shop.propellerheads.se/product/px7-fm-synthesizer/

The PX7 FM Synthesizer is a six operator FM synth for the Reason rack. As a faithful recreation of the popular DX series keyboards, it provides a wealth of new sounds, ranging from classic 80′s bass and brass to modern textures, leads and growls.

Propellerhead has announced the immediate availability of PX7 FM Synthesizer, a new six operator FM synth for Propellerhead’s Rack Extension format. As a recreation of the popular DX series keyboards, PX7 provides a wealth of new sounds to the Reason rack, ranging from classic 80′s bass and brass to modern textures, leads and growls.

Propellerhead has improved on the original too, with macro controls for easy tweaking of sounds and stereo panning as notable new introductions. PX7 is fully integrated with the Reason rack, allowing users to create layered sounds, combining it with effects, and even control operator levels through CV.

Included with the Rack Extension is a set of new patches for PX7 and Reason’s Combinator, from “talking” bass sounds to evolving pads. Additionally, the PX7 FM Synthesizer is patch-compatible with the Yamaha DX7, and includes hundreds of patches originally created for the DX7. Propellerhead also provides an online patch converter that takes patches in Yamaha DX7 format and converts them to PX7 patches, giving users immediate access to tens of thousands of presets for PX7 covering all styles of music.

Features:

  • Six operator classic FM synthesis for the Reason rack
  • 32 selectable algorithms
  • Advanced envelope generator
  • Includes tons of classic and vintage presets, ranging from 80′s bass to keys and brass
  • Comes with a set of new, exclusive patches for modern music productions
  • PX7 does not require a full understanding of FM synthesis–the macro controls make tweaking sounds fast, easy and fun.
  • Propellerhead’s online patch converter lets you convert any Yamaha DX7 patch to PX7 format.
  • CV control of operator levels lets you apply modulation from any device in the Reason rack.
  • Combine two PX7 synths with the Combinator to easily create layered sounds that never was possible with the hardware it’s based on

Pricing and Availability:

PX7 FM Synthesizer is available for immediate purchase in the Propellerhead Shop, at a price of USD $99/EUR €79. Reason and Reason Essentials users can download a free, fully functional trial version for 30 days to try PX7 FM Synthesizer in their music.

More information

StudioLogic Sledge 8 Voice Virtual Analog Poly

December 11, 2012 · Posted in Uncategorized · Comment 

Sonic takes a look at the new 8 voice virtual analog synthesizer – the result of a collaboration between Studio Logic and Waldorf. What makes it rather unusual is the fact that rather than have few knobs and a lot of menus, it has a large format classic synthesizer panel with one knob per function

Details on the Sledge:

For many synthesizer enthusiasts, it is the particular interaction of the sound engine and user interface that makes a great instrument. A quick look at Sledge shows you the generous set of controls available to interact directly with the sound engine.  When you touch the knobs and switches of the front panel, you will instantly be aware of the meticulous attention to detail our engineers have refined, during many decades building the best electronic keyboards.
You will experience the logical set-up of the synthesizer modules, mirroring the signal flow of a classic analogue synthesizer.  But what really distinguishes any synthesizer is its sound.  Fortunately, our friends at Waldorf Music have happily shared their experience and know-how on this crucial part of the Sledge Synthesizer.

So we implanted the DSP heart of the latest Waldorf modelling technology into Sledge. The result: enough power to put the foundations of your studio seriously at risk!  And plenty of detail, to create the richest analogue pads you could ever want.  Besides the classic analogue synthesizer waveforms, you will find a complete set of Wavetables, derived directly from the mother of all digital synthesizers, the PPG Wave.

The sum of three fat oscillators, plus a Noise generator, are fed into Sledge’s powerful multimode filter with selectable 24 / 12 dB slope.  The highly recognizable Waldorf filter algorithms enable a wide variety of sounds, from smooth to harsh, from fat to distinct, from pure HiFi to badass brutal. Ultra-fast, accurate envelope generators deliver ballsy punch.  Two LFOs plus 1 extra Wheel-LFO are on board to offer huge, yet easy to understand, modulation capabilities.  And two built-in Effect units deliver sophisticated synthesizer effects, such as Chorus, Phaser and Flanger, as well as a rich Reverb or an analogue style Delay.

And the best part – if you are familiar with the operation of a classic analogue synthesizer, you won’t have to spend any of your precious time reading the manual.  There are no double or multiple functions on any of the knobs or pushbuttons.  All synthesizer parameters are clearly and ergonomically arranged in front of your eyes and directly accessible under your fingertips.  This makes sound design a blast, and takes you back to the pure user experience which you’ll soon realise you’ve been missing.

Specifications:
• 32 Pots
• 3 chicken head rotary switches (7 positions)
• 1 rotary encoder with push function
• 2 x 16 digits backlit LCD
• High Quality Pitch and Mod Wheel
• up to 256 Sounds
• fast and efficient sound selection via numeric keypad

• 2 fast LFOs per voice, each with adjustable Speed and Depth
• 1 extra modulation routing for Mod Wheel, with adjustable Speed and Depth
- Shape: Sawtooth, Rectangular, Triangle, Sine, Sample & Hold, Ramp
- Destination: Osc 1, Osc2, Ocs3, PWM / Wave / FM, Volume, Filter Cutoff

• 8 Voices polyphony
• Monophonic mode with single or multiple trigger

• 3 Oscillators per voice
- Range from 64′ to 1′ each
- Shapes: Sawtooth, Square, Triangle, Sine, Pulse (with Pulse Width Modulation)
- Oscillator 1 with 66 Original PPG Wavetables

• Frequency Modulation of sine and triangle
• Oscillator Hardsync (Osc 2 to Osc 3)

• Noise Generator with selectable white and pink noise

• Mixer with Volume and On/Off switch for each Oscillator and Noise

• 1 Multi Mode Filter per voice
- 24 / 12dB
- Lowpass
- Highpass
- Bandpass
- Resonance up to Self-Oscillation and beyond
- Adjustable Keytrack and Drive

• 2 fast Envelopes per voice (filter / amplifier)

• Powerful Arpeggiator
- Latch mode
- syncable to MIDI Clock
- Direction Up, Down, Alternate
- Range up to 10 Octaves

• 2 simultaneuous Effects
- Effect 1: Chorus / Phaser / Flanger
- Effect 2: Reverb / Delay

• sturdy, lightweight enclosure (less than 10 KG)
• high quality, 5 octaves Fatar TP 9 keyboard

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