Listen to the Phonec analog flux VST synth
Here’s a new audio demo of new VST software synth from Psychic Modulation.
“7 instances of the synthesiser in track with no added effects on bass, chords, pads or stabs. Drums from Cubase Groove Agent and Reel People v 3 drum samples. Real guitar by me. All synths played with Roland Midi Guitar GI-20 interface. www.ramjetproductions.co.uk“
Phonec is best described as an ‘analog flux synthesizer’. Inspired by the mystique of video logo synth scores from worn out VHS tapes, Phonec was primarily designed with character in mind. However Phonec is capable of producing a wide range of sounds such as vintage analogue tones, lo-fi synthscapes, ethereal pads, minimal techno sequences, and synthwave leads and basses. Phonec has an intuitive GUI that attempts to strike a balance between form and function, making it a very usable tool that can be a real inspiration to work with. Apart from it’s unique character and smooth workflow, Phonec has several interesting features that set it apart from the crowd. Here is a brief overview that highlights the most important aspects:
Dual oscillators that can be combined in various ways
Analog style oscillator drifting
A unique Melt feature that adds instant character to any patch
Arpeggiator
Accent Sequencer
3 LFOs (2 monophonic, 1 polyphonic)
HFO (High Frequency Oscillator)
2 Modulation Envelopes
Echoshifter Delay Unit
Universal Value Display
Double Click Parameter Reset
128 presets”
New release: DJ Rig for iPad – The All-in-One, Fully Featured, Professional DJ App
The new DJ Rig from IK Multimedia that we have been featuring earlier this week has now been released in the AppStore. They say that DJ Rig for iPad takes professional mobile DJ mixing to a completely new level, providing a comprehensive suite of professional DJ mixing tools, all in one convenient app. DJ Rig for iPad greatly expands the feature set from DJ Rig for iPhone, offering numerous new capabilities that previously have only been available on professional DJ software for the Mac and PC.
With DJ Rig for iPad, mobile DJs will possess the virtual equivalent of a full professional DJ setup — two turntables or CD players, a DJ mixer, a DJ multi-effects unit, a phrase sampler and more, all in an portable package to take their spin to the next level, anytime and everywhere. With DJ mixer, a DJ multi-effects unit, a phrase sampler and more, all in a portable package to take their spin to the next level, anytime and everywhere.
DJ Rig for iPad is a fully self-contained DJ environment that can be directly connected to a sound system, but even more functionality is available when it’s used in tandem with IK’s new iRig MIX ultra-compact mobile DJ mixer. iRig Mix offers complete physical track control, thanks to its full-length channel faders and crossfaders, additional EQs, and direct connections for headphones, microphones, loudspeakers or a PA system. When used together, DJ Rig and iRig MIX provide a comprehensive DJ setup that packs all the features the most demanding DJs need — all in an ultra-light combo rig that can be up and running in seconds.
Professional DJing for the first time on iPad
- Familiar double Deck configuration with a triple twist — When first launched, DJ Rig for iPad looks and feels very familiar — its interface accurately replicates a full dual-deck hardware rig with each deck routed through the audio output jack on the iPad (split stereo). What’s different is that each deck has three visual modes: “Vinyl” for traditional creative scratch effects, “Digital” jog for a more traditional CD manipulation and the new “Waveform” view for accurate cue placement, synchronization and visualization of beats.
- Sync, mix & scratch — DJ Rig for iPad with CloneDeck™ technology allows DJs to mix and scratch on their iPads, just like they would with hardware counterparts. The built-in dual-deck system with a crossfader allows them to mix with ultra-accurate precision, and the Tempo Sync, X-Sync and Beat Match functions automatically align the beats from any two sources for flawless transitions. The new AutoMix feature will automatically crossfade and mix music to keep the beat going even when the DJ steps away.
- New creative DJ effects provide unlimited sonic possibilities — DJ Rig for iPad features 18 available BPM-synced DJ effects for customizing mixes and build-ups, always at the perfect tempo. Effects include Delay, Flanger, Crush, HP filter, LP filter, BP filter, Compressor,Wah, Phaser, Fuzz, Reverb, and Stutter, plus 6 completely new effects: Noise, Tail, Brake, Spin, Twist UP and Twist DOWN. The X/Y effects interface provides full creative control and real-time manipulation that will inspire DJs to be their creative best.
- On-board sampler with expandable sound banks — DJ Rig for iPad features an “on-the-fly” sampler with 9 accessible and assignable pads for adding sound bites and samples to mixes. For even more creative flexibility, DJ Rig for iPad provides “live sampling” and “looping” functions for completely customizing and personalizing the mix.
DJ Rig for iPad features:
- Customizable deck display with Vinyl, Waveform or Digital Deck interface with accurate scratching engine with CloneDeck™ technology
- Waveform display mode for ultra-precise visual cueing
- Fast BPM detection and beat map analysis with Tempo Sync and Beat Match
- X-Sync mode detects the BPM from external audio sources and automatically syncs the audio/tempo of internal decks to external devices (when used with iRig MIX)
- Advanced looping section with continuous loop surface; create loops with tempo divisions always to the beat; manual and slip mode available
- 18 effects: Delay, Flanger, Crush, HP filter, LP filter, BP filter, Compressor, Wah, Phaser, Fuzz, Reverb, Stutter and more, with X/Y touch interface control
- 6 new creative effects: Noise, Tail, Brake, Spin, Twist UP and Twist DOWN
- On-the-fly expandable sampler machine with 9 pads and 4 banks slot
- Live sampling functionality with volume and pitch control
- 5 visual cue points per song and Auto Cue for automatic first beat positioning
- 3 crossfader curves for customizing fades and crossfade filter
- Direct access to iPod Music library and playlists
- AutoMix Feature for automatic mixing of playlists or entire library
- Live recorder allows recording of full mixing gigs
- Supports/plays all major digital audio formats including MP3, AAC, WAV, AIFF
- Multiple output configurations for virtually any audio setup
Pricing and Availability:
DJ Rig for iPad is available at an introductory price of $19.99/€15.99 from the App Store on iPad. A limited free version of DJ Rig for iPad is also available for download.
More information:
EMW WCS-1 Synthesizer
Playing the EMW WCS-1 synthesizer module using a microKorg and a reverb from a Behringer mixing console.
BassBoy – monophonic digital MIDI controlled bass synthesizer
BassBoy is a monophonic digital MIDI controlled bass synthesizer. Device receives all information via MIDI input. The unit consists of oscillator which generates SAW & SQUARE WAVE using 16-bit band-limited wavetables, thus making the number of harmonics limited. After that, the signal itself goes through a simple implementation of MOOG filter, whose frequency range is chosen by MIDI commands and which is affected by the level of the envelope. The filtered signal then comes to the controlled amplifier, which creates the signal shape, and in the end through DAC (WM8762) and pre-amp circuit goes to the audio jack 6.35mm.
http://www.mikroe.com/add-on-boards/audio-voice/bassboy/
http://andigo.ehotim.com//index.php?option=com_content&task=view&id=2…
Right channel – drums and other things, left channel – BassBoys…
Midi: Children – Robert Miles (rearranged)
Melodo with Ableton Live – Music collaboration
Download Melodo for Mac / Windows: http://comelody.com/melodo
Melodo is a platform for instantly browsing short musical phrases contributed by users from around the world.
Melodo is available as a VST / Audio Unit plug-in.
Exploring the Alesis Andromeda A6
A quick look at the Alesis Andromeda A6.
Filter CV modulation (by a Moog Multi-Pedal) and subtle timbral explorations over a rhythm track made from Moog synths (Voyager, Little Phatty and Slim Phatty).
The Andromeda A6 is a true analog synthesizer using two analog oscillators per voice, sub-oscillators, hard and soft sync and more! It features 16-voice polyphony. With the Andromeda, you’ll find a huge range of tonal possibilities: searing leads, warm pads, fat bass lines, extreme sound effects and more. And of course there are plenty of knobs (72) and buttons (144), even an assignable ribbon controller for addictive hands-on real-time control! The large high-resolution LCD display is excellent and shows you actual rather than relative values of parameters. Andromeda will integrate seamlessly into any studio with its total MIDI control and sync, individual voice outputs, stereo outputs and several audio inputs.
Andromeda is completely analog – no emulation! It features two analog filters per voice that sound great! They are a multimode 2-pole and a 4-pole lowpass. External audio can be routed through these filters too (three 1/4″ jacks)! As for modulation, Andromeda has three LFOs, each with six waveforms and they can be synced to MIDI clock. And there are three 7-stage envelopes with very creative and flexible functions. Also onboard is an extensive mod matrix for enormous freedom in configuring Andromeda’s sounds!
No analog synth would be complete without a set of classic effects and features. Andromeda also offers Portamento with nine slopes and legato functions. A built-in arpeggiator and analog-style sequencer are available, with MIDI sync! There are also some high quality digital effects such as reverbs, chorus, echo, distortion and more! Andromeda comes with 256 breathtaking preset patches plus 128 user. A PCMCIA-format memory card slot allows for additional programs and mixes. Andromeda is pure analog bliss, with all the features, stability and widgets of modern digital synths.
Lead Sounds | Moog Little Phatty: Subtractive Synthesis
In this video Arjen Schat demonstrates how to create lead sounds with the Moog Little Phatty. Arjen starts from the calibration patch (CA CALIBRATION) again and create a lead sound as he goes. Quick note: He syncs the oscillators to get a sharper sound. For a wider sound you can leave the oscillators un-synced.
More material on the upcoming FL Studio Mobile 2 – Sampling Percussion
ImageLine continues on their quest of delivering short teasers on their upcoming release, without any further details
More info here – http://www.image-line.com/documents/flstudiomobile.html
Korg MS-20 sequenced by Plogue Bidule
Details below:
Korg MS-20 Series :
Ten ways to have fun with a Korg MS-20
1-Basic Plogue Bidule polysynth passing through the filters of my Korg MS-20
2-Korg MS-20 acting very strange
3-Duophonic Korg MS-20
4-Duophonic Korg MS-20 (2)
5-Korg MS-20 complexely arpeggiated by Plogue Bidule
6-Korg MS-20 arpeggiated – Filters’s resonance only !
7-FM-like sounds with a Korg MS-20
8-Crazy feedback loop with a Korg MS-20
9-Let’s jam ! Korg MS-20 sequenced by Plogue Bidule
10-Let’s jam again ! Korg MS-20 sequenced by Plogue Bidule
Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made in one take using a Korg MS-20, Plogue Bidule and Audacity. Enjoy !
http://www.myspace.com/fredericgerchambeau
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I am a (proud !) member of the french association PWM (Patch Work Music) :
http://patch-work-music.blogspot.com/
Experimental: Motion-driven Concatenative Synthesis of Cloth Sounds
Clothing sounds synthesized using the approach from our SIGGRAPH 2012 paper, and PhD thesis work by Steven S. An.
http://www.cs.cornell.edu/projects/Sound/cloth/
Steven S. An , Doug L. James, and Steve Marschner, Motion-driven Concatenative Synthesis of Cloth Sounds, ACM Transactions on Graphics (SIGGRAPH 2012), August 2012.
Abstract: We present a practical data-driven method for automatically synthesizing plausible soundtracks for physics-based cloth animations running at graphics rates. Given a cloth animation, we analyze the deformations and use motion events to drive crumpling and friction sound models estimated from cloth measurements. We synthesize a low-quality sound signal, which is then used as a target signal for a concatenative sound synthesis (CSS) process. CSS selects a sequence of microsound units, very short segments, from a database of recorded cloth sounds, which best match the synthesized target sound in a low-dimensional feature-space after applying a hand-tuned warping function. The selected microsound units are con- catenated together to produce the final cloth sound with minimal filtering. Our approach avoids expensive physics-based synthesis of cloth sound, instead relying on cloth recordings and our motion-driven CSS approach for realism. We demonstrate its effectiveness on a variety of cloth animations involving various materials and character motions, including first-person virtual clothing with binaural sound.
DATAMASKIN
