Kraftwerk snippets on the original Vako Orchestron

January 12, 2011 · Posted in Uncategorized · Comments Off on Kraftwerk snippets on the original Vako Orchestron 

Playing some snippets of “Trans-Europe Express” by Kraftwerk letting you hear the Orchestron’s “Violins” sound.
The sound you hear is the actual sound used by Kraftwerk.

Playing some snippets of Radioactivity (Kraftwerk) demonstrating the “Vocal Choir” sound of the Orchestron.
This sound is the exact sound (not a replica, it IS this sound) Kraftwerk used on Radioactivity and a small number of other songs.
As you can hear, I’ve got some problems with pitch stability. This is due to a worn out belt that connects the motor and the wheel that actually spins the record.
More info about the Orchestron: http://en.wikipedia.org/wiki/Orchestron

The thing underneath the Orchestron is the Eminent 1600 Orchestra. This is not the intrument used by Jean-Michel Jarre (that’s the 310U) thought it features the same sounds, and has a built in String Ensemble which is more or less the same than the Arp Solina String Ensemble. As you can see, I’ve got some problems with the contacts of the bass pedals.

Shared via dietervanmarcke

Diving to the moon?

January 11, 2011 · Posted in Uncategorized · Comments Off on Diving to the moon? 

Are those space suits? Or diving suits?

bleep!BOX drum and synth now also as VST & AU plug in

January 11, 2011 · Posted in Uncategorized · Comments Off on bleep!BOX drum and synth now also as VST & AU plug in 

bleep!BOX, the drum and synth hit from the iPhone and iPad has arrived on the desktop as a Mac and PC compatible VST & AU Plugin. In addition to being able to load all your patterns from the iPhone version, bleep!BOX is a powerful drum synthesizer in it’s own right.

It features 10 synthesis parts which can play the role of percussion or instruments and has 50+ parameters enabling you to recreate all kinds of classic drum sounds. Specialized parts for replicating vintage snare and hi-hat sounds are also included.

bleep!BOX is even more capable as a Plugin, since almost all parameters can be automated by your host. You can choose to use bleep!BOX’s pattern playback or sequence notes using your host’s piano roll allowing bleep!BOX to act as a tone generator or a full groove box.

Features List

* – VST & AU Compatible plugin, which means it runs on the majority of hosts.
* – 10 Synth / Drum parts (aka voices)
* – Emulations of ‘classic’ x0x drum sounds (snares, hihats, claps, bassdrums, toms, cymbals)
* – Ringmod, FM, Phase Modulation, Sync
* – Very low CPU usage
* – 50+ Parameters
* – Global delay FX
* – Soft / Hard distortion FX
* – 8 Waveforms – Saw, Square, Sine, Triangle, etc
* – Save patches and presets
* – Live performance modes – Loop / Stutter, Mute
To hear samples, download a demo, and where. How to buy the new VST version go to http://www.bleepboxapp.com/b…

Trifonic – Using Morph Square in FM8

January 11, 2011 · Posted in Uncategorized · Comments Off on Trifonic – Using Morph Square in FM8 

Electronic music production tutorial by Brian Trifon of Trifonic

synthachon chaos

January 11, 2011 · Posted in Uncategorized · Comments Off on synthachon chaos 

a completely different sound event each time a key is touched. for more examples of this amazing synth:

For fans of Native Instruments’ thick-sounding Massive synth

January 11, 2011 · Posted in Uncategorized · Comments Off on For fans of Native Instruments’ thick-sounding Massive synth 

Artists Leisure-B and Usselino collaborated on this Autechre-inspired audiovisual short, filled with pulsing geometric primitives. The work is a kind of A/V composition, the music arranged with abrupt, video-style edits. For fans of Native Instruments’ thick-sounding Massive synth, you also get some free preset downloads in the deal.

With Native Instruments’ software providing the sound palette, Ableton Live became a context for editing the music as you would video:

Leisure: “I tried to approach the composition as “sound design” as possible. Since the video was animated on the BPM (117) and rhythmical accents of “Vose On”, all I really had to do drum wise was find out which accents Usselino had used for his main video events. After creating the drums on those accents, most of the composition was just tweeking knobs and experimenting with note placement.

Since Ableton Live has excellent video support, I could just run the video in the loop region I was working in, and experiment with Native Instrument’s Massive’s great synthesizing capabilities. I usually start of with an init patch, and work my way towards the sound which I feel is fitting for the events in the video. The only exception to this rule however is the second bassline, which originates from Durk Kooistra’s WODAN bass, available for download in his 10 Free Massive Patches”

Watch the video, then check out the presets and more information:
10 Free Massive Patches
Cinema 4D meets Ableton Live: fret_1

Via CDM

Oxygene 2 Cover Jean Michel Jarre

January 11, 2011 · Posted in Uncategorized · Comments Off on Oxygene 2 Cover Jean Michel Jarre 

Oxygene 2 – Cover

Composed by: Jean Michel Jarre

Played by: Piotr Nowak, Michał Bach

The gear that was used:
-Roland Juno-D,
-Roland D-50,
-Korg MicroKorg,
-Korg mini KP KAOSS PAD.
-Behringer Vintage Delay VD400

Runxt Life is pixels and bleeps and iOS meets Ableton

January 11, 2011 · Posted in Uncategorized · Comments Off on Runxt Life is pixels and bleeps and iOS meets Ableton 

Runxt Life is pixels and bleeps and iOS meets Ableton. Full on music nerd fun. Available in the App Store now: click here

“Runxt Life is a generative music application created for the iOS® platform based on the cellular automaton theory “Conway’s Game of Life” by John Horton Conway.” – Firma 103

For more info: runxt.be

The ‘game’ is a zero-player game, meaning that its evolution is determined by its initial state, requiring no further input from humans. One interacts with the Game of Life by creating an initial configuration and observing how it evolves.

You can draw single cells or a predefined pattern stamp on a two dimensional grid. This pattern will evolve according to the rules of “Conway’s Game of Life” after you press ‘play’ or ‘step forward’. Five different colors each represent a different sound or channel.

Runxt Life uses the output of the grid, affected by a few parameters, to either generate sounds or send midi notes to your computer with the help of the Runxt Life – OSC to MIDI application. In this application you can configure which color is sent to which midi channel.

Two new stage pianos from NORD and Kurzweil

January 11, 2011 · Posted in Uncategorized · Comments Off on Two new stage pianos from NORD and Kurzweil 

The Nord Piano is a dedicated stage piano with 88 keys and a weighted hammer action. It is designed with the performing musician in mind and extremely lightweight at 39.6 lbs, without compromising build quality, sound quality or means of expression. As all the other Nord units, it is designed with a firm focus on extremely fast response and accessibility of every important function from the panel.

Kurzweil Music Systems is proud to announce the release of the SP4-8 stage piano, a premium instrument designed for musicians who require exceptional sound quality and expression. Top professionals and hobbyists alike will be able to appreciate the responsive 88-note hammer-weighted action, nuanced sound design and advanced
performance features, all of which set the SP4-8 apart.

Reactable Live! Introduction

January 11, 2011 · Posted in Uncategorized · Comments Off on Reactable Live! Introduction 

Shared via marcosalonso

More information: http://www.reactable.com/live
Music and performance: Carles López

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