Spark + Minibrute = Love

December 7, 2012 · Posted in Uncategorized · Comments Off on Spark + Minibrute = Love 

In this video, Arturia Sound Design Manager, Mike Hosker, shows you how to sync Spark with MiniBrute to create locked arpeggiated and LFO patterns with your beats.

Akai MAX49 Midi/Mackie CV/GATE Controller Review

December 7, 2012 · Posted in Uncategorized · Comments Off on Akai MAX49 Midi/Mackie CV/GATE Controller Review 

A quick look at Akai’s new Controller keyboard with touch faders, Mackie Control/HUI and MIDI CV/GATE.

Watch new videos from Mind.in.a.box and M83

December 7, 2012 · Posted in Uncategorized · Comments Off on Watch new videos from Mind.in.a.box and M83 

The gaming guru Ray Koefoed and Mind.in.a.box mastermind Stefan Poiss have been working together on a music video based on the famous video game “Portal 2”, which will be part of the Machinima Interactive Film Festival that started on 1st December 2012.

The song itself is a futuristic mix of rap, futurepop and the typical Mind.in.a.box vocoder vocals.

‘Wait’, taken from the album ‘Hurry Up, We’re Dreaming’, is the final episode of the trilogy, the end point of the visual collaboration between M83 and Fleur & Manu that has been ongoing throughout 2012.

Watch the full series here: http://www.youtube.com/playlist?list=PL7CZ4TImzrFlTqI5l09Az8modBIkqkwFB

Directed by Fleur & Manu, this video was made in conjunction with The Creators Project, a partnership between Intel and Vice.

Buy ‘Hurry Up, We’re Dreaming’ here:
Double CD: http://glnk.it/av
12″ Vinyl: http://glnk.it/aw
iTunes: http://glnk.it/ar

M83:
http://www.youtube.com/m83

Space Invaders: RetroCade Synth LCD Demo

December 7, 2012 · Posted in Uncategorized · Comments Off on Space Invaders: RetroCade Synth LCD Demo 

A quick look at the LCD in action with the 1.0 release of the RetroCade Synth software.

For more information visit:
http://retrocade.gadgetfactory.net

The R-R-R-R-RetroCade Synth from Gadget Factory. This exciting new hardware synthesizer is built on Gadget Factory’s own Papilio platform, and is designed with both hardware hackers and musicians in mind. Musicians will love the ease of use and extreme retro glitchiness that the Retrocade has to offer. Hackers will love that it is open-source, and is designed to be HACKED. Either way, you’re in luck. You will find no better, more flexible synthesizer at this price point anywhere else!

The RetroCade Synth boasts the capability to play the built-in Commodore 64 SID chip, the Yamaha YM-2149 chip, and .mod files – all at the same time! The RetroCade Synth can be played via any external MIDI control interface or via your favorite audio/ sequencing software. We have built a custom VST software dashboard which gives you visual control over all the various parameters the synth has to offer!

Monotron Filter controlled by Arduino

December 7, 2012 · Posted in Uncategorized · Comments Off on Monotron Filter controlled by Arduino 

The cut-off frequency of the Korg Monotron analog low-pass filter is controlled by an Arduino micro controller and a DAC chip.

Electro by Hidden Persuader

December 6, 2012 · Posted in Uncategorized · Comments Off on Electro by Hidden Persuader 

MOSKWA Experiment A

December 6, 2012 · Posted in Uncategorized · Comments Off on MOSKWA Experiment A 

Here’s one of VoltageCtrlR’s evening recording sessions at the Akashic Mountain Sound Temple experimenting with the MOSKA Roto Sequencer by XAOC Devices. This is a complex patch featuring the Moskwa battling the Random Looping Sequencer in this auditory journey. Dubs and effects handled by ZDSP, Space Echo and some spring reverb.

Kraftwerk on stage at Tate Modern UK

December 6, 2012 · Posted in Uncategorized · Comments Off on Kraftwerk on stage at Tate Modern UK 

Following on from Laibach’s incredible Retro Monumental Avant-Garde performance in the Tate Modern Turbine Hall earlier this year, we are thrilled and excited to announce that Kraftwerk are to play the venue between February 4th and 16th 2013. The band will be performing an album every night as part of the KRAFTWERK – THE CATALOGUE 1 2 3 4 5 6 7 8 series, previously seen in New York and Dusseldorf.

Chris Dercon, director of the Tate Modern, said: “As a former power station, Tate Modern’s Turbine Hall is an ideal venue for Kraftwerk’s explorations of technology, energy and rhythm. Bringing together music, video and performance, these events will be true gesamtkunstwerk – a total work of art.”

Tickets – priced at £60 per show – go on sale next Wednesday, December 12 at 7:30 am. You will be able to buy them exclusively here.

FEBRUARY 2013
Wed 6 – Autobahn (1974)
Thu 7 – Radio-Activity (1975)
Fri 8 – Trans Europe Express (1977)
Sat 9 – The Man-Machine (1978)
Mon 11 – Computer World (1981)
Tue 12 – Techno Pop (1986)
Wed 13 – The Mix (1991)
Thu 14 – Tour de France (2003)

METROLAND – Harry Beck (remixed and edited by Növö)

December 6, 2012 · Posted in Uncategorized · Comments Off on METROLAND – Harry Beck (remixed and edited by Növö) 

METROLAND – ‘Mixing The Gap’ EPCD

Out now is a brand new video from the Kraftwerkian Belgian duo Metroland. The video “Harry Beck” (in a remix by Növö) is dedicated to Harry Beck, an English engineering draftsman best known for creating the present London Underground Tube map in 1931.

http://www.alfa-matrix.com/shop_comments.php?id=2242_0_8_0_C

Original version taken from album Mind The Gap
Remixed by Laurent Boudic under Növo
Edited from EPCD Mixing The Gap
Video edit by HC Carbo

http://www.metrolandmusic.com/
https://www.facebook.com/metrolandmusic

Harry Beck (real name Henry Charles Beck), is a name you most likely will not know, even though a great deal of us have already been using his creation or have seen alternative versions of it.
Neither did we know Mr Beck, but at the time when we were figuring out what to take as art for the album we went on the internet looking for some interesting pictures. It is there where we stumbled upon Beck and his ‘creation’.

Harry Beck was an English engineering draftsman best known for creating the present London Underground Tube map in 1931. This map seems so common to every one of us these days, but in the early 1930’s it wasn’t. The company of ‘London Underground’ was initially skeptical of Beck’s radical proposal — it was an uncommissioned spare-time project, and it was tentatively introduced to the public in a small pamphlet in 1933. It immediately became popular, and the Underground has used topological maps to illustrate the network ever since.

Beck had the idea of creating a full system map in color. He believed that passengers riding the trains were not too bothered about the geographical accuracy, but were more interested in how to get from one station to another, and where to change. Thus he drew his famous diagram, looking more like an electrical schematic than a true map, on which all the stations were more or less equally spaced.

Knowing this, we were sure it was a nice idea to pay homage to such an interesting character, which eventually inspired us, convinced no one has ever done this before. So we looked for more information, films, documentaries, whatever we could find on Harry Beck. And from a shipload of information, we distillated that sample that to us seemed the essence behind the complete story: ‘form followed function’. At the same time we decided to take this slogan as the essence of our project and album.

This song was the last addition to the album. It was first intended to be part of a download EP, but the final result was so good that we both decided that Harry Beck deserved a spot on the album.

As for the remix, we asked Laurent Boudic from NÖVÖ again, as he already delivered us a true marvel of ‘Theme For Metroland’. The result is stunning: a surprising remix which brings you back to the late 80’s when the famous UK electro label Mute Records released their limited 12inches. They always contained that sort of remixes that had a hint of the original, still containing enough interesting other sounds on top. Massive rework, great style, but what else would you expect ? Laurent is Belgian as well !

Chroma Sequenced Monosynth for Reaktor

December 6, 2012 · Posted in Uncategorized · Comments Off on Chroma Sequenced Monosynth for Reaktor 

Introducing Chroma, a unique sequenced monosynth for Reaktor featuring sound and sequence morphing and multiple control methods – use your mouse, a MIDI controller, Konkreet Performer, TouchOSC or Lemur.

available now at http://www.reaktortips.com/2012/12/chroma-and-gris-gris-sequenced-monster.html

Chroma is a performance oriented monosequencer and VA carefully tuned for ergonomic ease of use and glitch free operation in standalone and plugin mode. Slur features in Chroma match up with legato and glide features in the Gris-Gris synth to create a slinky sinuous note articulation.

Sequences can be created and controlled via mouse, MIDI, Konkreet Performer, TouchOSC and Lemur. Since there is now full OSC support in the Reaktor plugin version, you can do everything with Chroma in your preferred DAW that you can do stand-alone. A dream come true!

TouchOSC and Lemur templates are included in the package but there’s something special about Konkreet Performer that sets things on fire when it’s paired with Chroma and Gris Gris, a certain magic in the way it morphs and distorts sound. It is my firmly held opinion that not nearly enough people use KP and if you want something really special and unusual on your iPad you should rush right over to  Konkreet Labs or head straight for the App Store and buy a license.

Chroma is 24.99 USD and can be purchased and downloaded immediately. Remember, Chroma is a Reaktor ensemble and requires a full installation of Reaktor 5.8.0, not just Reaktor player.

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