Radikal Technologies Spectralis Tutorial – Route external gear through lowpass filter

June 17, 2013 · Posted in Uncategorized · Comments Off on Radikal Technologies Spectralis Tutorial – Route external gear through lowpass filter 

Background video description from ‘acemonvw’:

Just put this up because someone (sicks) on the forum wanted a tutorial on how to route external gear through the lowpass filter on the Spectralis. I used my Virus TI as the external device (not shown) and it’s audio output was put into the spectralis’s Ext. Inputs.

Please don’t hesitate to ask me questions for clarification, this was made rather quickly.

Make sure to check out my other tutorials in case this tutorial is too difficult to follow:
http://www.youtube.com/playlist?list=

Tony Monaco’s Blues Scale on Organ

June 13, 2013 · Posted in Uncategorized · Comments Off on Tony Monaco’s Blues Scale on Organ 

A classic lesson from 2007, B3 expert Tony Monaco shares his tips on blues scales on the Hammond organ.

The blues scale refers to several different scales with differing numbers of pitches and related characteristics. The hexatonic, or six note, blues scale consists of the minor pentatonic scale plus the ♯4th or ♭5th degree. A major feature of the blues scale is the use of blue notes, however, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. At its most basic, a single version of this “blues scale” is commonly used over all changes (or chords) in a twelve bar blues progression. Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord.

The basics of sampling: Live 9 Tutorial: The Simpler Sampler

June 13, 2013 · Posted in Uncategorized · Comments Off on The basics of sampling: Live 9 Tutorial: The Simpler Sampler 

Additional videos for this title: http://j.mp/13WCNiF
Live 9 201: The Simpler Sampler by Laura Escudé
Video 1 of 19 for Live 9 201: The Simpler Sampler

So what is sampling and how does Abletons Simpler sampler work? Well, let Laura Escud show you!

In this sampling-for-beginners tutorial renowned violinist and electronic music performer Laura Escud takes you through the very basics of sampling using Ableton Lives stock sampler, Simpler. She starts you off with an overview detailing the history of audio sampling from its nascent beginnings with the famous Fairlight CMI through to software samplers of the present day.

From there youre off to a zoomed-in, zoomed-out look at the Simpler Plugin that is included with every copy of Live. Laura takes you through all of Simplers parameters from envelopes to LFOs showing you how they work and how she uses them in her music. She discusses the differences between Simpler and Lives premium instrument, Sampler … and also shows you how they work together!

Finally, Laura, includes a few workshops where she divulges the arcana behind her Cello Wobble sound and how to use Simpler in an Instrument Rack. Laura then puts it all together with a triptych of videos showing how she uses Simpler in her live performances.

So if youre new to sampling and want to know how to use Simpler – or if your just want to learn some cool sample playback techniques – sample this tutorial by Laura Escud: Lives Simpler Sampler!
More info on this title: http://j.mp/13WCNiF

FL Studio Guru | Sidechain Inputs and VocALign

June 12, 2013 · Posted in Uncategorized · Comments Off on FL Studio Guru | Sidechain Inputs and VocALign 

Enter the Giveaway – http://synchroarts.us7.list-manage.co…

Setting up the VocALign plugin from Synchroarts. http://www.synchroarts.com/

Cubasis Demo: Recording Audio using Audiobus

June 9, 2013 · Posted in Uncategorized · Comments Off on Cubasis Demo: Recording Audio using Audiobus 

A quick demo of recording Audio into Cubasis using Audiobus. In this video Ryan Hemeon has downloaded the master tracks to a Nine Inch Nails song (Wish from the Broken Album) and opened them in Cubasis..

“I remove the guitar from the song and record my own using the Apogee Jam, Ampkit and Audiobus. After recording I play the song through, add a few FX and mess with the mixer a tiny bit.

I used ‘picture in picture’ so you can see me playing the guitar as well. I will doing more PiP videos from now on. I liked how it turned out. :-)

Expect some more Cubasis tutorials soon. They are on their way!”

Intro to NI Reaktor’s Resochord

June 5, 2013 · Posted in Uncategorized · Comments Off on Intro to NI Reaktor’s Resochord 

Brebt Kallmer explores NI Reaktor’s Resochord from two different perspectives. In the video above :

Want to apply Native Instruments REAKTOR’s Resochord to a specific drum sound rather than the whole kit? This vid shows you how!

Add trippy textures and transition effects to your tracks using Native Instruments REAKTOR’s Resochord.

Mixing and Mastering with T-RackS CS Bus Compressor Tutorial

June 4, 2013 · Posted in Uncategorized · Comments Off on Mixing and Mastering with T-RackS CS Bus Compressor Tutorial 

http://www.t-racks.com for more information

The Bus Compressor is based on the mix bus VCA compressor of a worldwide known and acknowledged British mixing console from the 80’s. This legendary processor has been painstakingly analyzed and measured down to the very single active and passive component to obtain a dead on behavior that will impart that famous “glue” effect on mix tracks without any compromise.

In this tutorial we look at several applications of the plug-in: The subtle yet effective “glue effect”, compressing a drum bus from subtle to slamming or squashed, and all of the components of this plug-in including the great GRIT switch. Learn about the dual functionality of the RESET button, sidechain hi pass, and mid-side processing.

“Bus Compressor is one of the 20 professional mixing and mastering processors available in the T-RackS Custom Shop. Download the free T-RackS Custom Shop software, which comes with the Classic T-RackS Equalizer and a full metering suite, and you’ll have access to the Custom Shop, where you can try our processors before you buy.”

Traktor Cue Point Strategies: Reference and Performance

June 4, 2013 · Posted in Uncategorized · Comments Off on Traktor Cue Point Strategies: Reference and Performance 

Back to basics! Ean goes through the basics of great cue point placement and usage in Traktor Pro. Read the full article here: http://bit.ly/10KXgIu

With 300 to 500 songs (minimum) in a digital DJ’s regular rotation, it’s nearly impossible to remember every song’s structure, but knowing your music remains one of the most important requirements for all DJs. Upon loading a new track, the most important things to know instantly about a song are:

  1. Where is the first beat?
  2. Where is the best place to start mixing?
  3. When does the vocal, bass line, or main part of the song begin?
    Stated differently, where should I be done with the mix?
  4. Where are the most natural mix out points in the song?

Fortunately most DJ software has a variety of cue points that can be used as flags to remind you of the critical places in a track. Traktor has a set of cue points which are different colors and serve different purposes, so these are best suited for flagging a track.

iPolysix Secret Revealed

June 3, 2013 · Posted in Uncategorized · Comments Off on iPolysix Secret Revealed 

Updated video from Mee Zanook on the iPolysix:

This iPolysix secret revealed update covers an interesting piece of information I overlooked
in the original video.

Audiomatic Retro Transformer – Micro Tutorial

June 1, 2013 · Posted in Uncategorized · Comments Off on Audiomatic Retro Transformer – Micro Tutorial 

More info on Reason: https://www.propellerheads.se/product…

The Audiomatic Retro Transformer is a new Rack Extension that comes free with Reason 7. Audiomatic is for your music what those insta-hipsta-analogififcation apps are for your cellphone pics. It’s about taking your sounds and making them a little bit wrong in the right way. Color your sounds, add extra grit, or indulge in the lo-fi goodness.

In this microtutorial, we’ll show you how Audiomatic was deployed across an entire mix to bring authenticity to the retro vibe. A little retro here… a little retro there… and it adds up to a dramatically awesomized mix.

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