Apogee introduces Quartet for desktop recording

September 5, 2012 · Posted in Uncategorized · Comments Off on Apogee introduces Quartet for desktop recording 

Apogee Electronics has unveiled Quartet, which they describe as “The ultimate desktop audio interface and control center for Mac.” They say that, featuring four inputs, eight outputs, MIDI, top panel display and control, Quartet sets a new standard in performance and connectivity for the modern studio. Here’s the full details in Apogee’s own words…

With ample input and output connections, the signature single controller knob, QuickTouch pads, and Apogee’s conversion technology, Quartet delivers where it counts; sound, functionality and usability.

Quartet connects to any Mac via USB 2.0 high-speed for extremely low-latency and stellar performance. From MacBook Air to Mac Pro, Quartet easily connects at amazingly high-speeds no matter the machine or sample rate; 44.1-192kHz.

Quartet’s four combination inputs offer microphone, instrument and line input with an exceptional gain range of up to 75 dB, leaving plenty of headroom for demanding microphones and sound sources. For additional channels, Quartet’s eight digital inputs create the option of connecting an external interface, like the Apogee Ensemble.

Quartet’s six balanced outputs deliver options for the video producer to mix in surround, the live performer to send multiple mixes to monitors and front-of-house and the mixer to send a mix to outboard compressors and EQs. Using Apogee’s Maestro software, the outputs will also split into three stereo pairs for connecting three speaker sets for auditioning mixes across various types of studio monitors.

A first for an Apogee audio interface, Quartet includes a USB MIDI connection for connecting a keyboard, synth or DJ controller. This feature consolidates all gear connections away from the Mac, making Quartet the control center for any studio.

Apogee CEO and Co-Founder Betty Bennett, told SBC, “We are excited to announce Quartet. Quartet offers a highly requested I/O configuration, award-winning sound and sleek design, all at an affordable price. We have listened to our customers and have designed Quartet with their requests in mind. At Apogee, we are all about delivering the absolutely best in sound, design and functionality and believe Quartet is a winner on every front.”

Quartet Highlights:

  • Best-in-class sound quality with Apogee AD/DA converters
  • 4 Analog inputs with world-class mic preamps
  • Monitor control – up to 3 speaker sets
  • USB 2.0 High-speed Mac audio interface
  • ADAT/SMUX digital inputs
  • MIDI input (USB-A type connector)
  • 8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level 1 independent 1/4″ stereo headphone output
  • 2 top panel high-resolution OLED displays
  • Controller knob
  • 6 touchpads for direct selection of inputs and outputs
  • 3 assignable touchpads
  • Quartet works with any Core Audio compatible application including: Logic, Pro Tools 9 and 10, Final Cut, Ableton Live
  • Made in the U.S.A.

Features & Specifications:

  • 4 Analog Inputs: Combination line (balanced +20dBu max), Mic/Instrument (+20dBu/+14dBu max)
  • 4 Microphone preamps with up to 75dB of gain
  • 8 Digital Inputs: ADAT/SMUX Input, 2 Toslink connectors, 44.1kHz to 96kHz
  • 8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level, 1 Independent 1/4″ stereo headphone output
  • MIDI I/O (USB-A type connector)
  • Word clock output
  • USB 2.0 High-speed Mac audio interface
  • A/D and D/A conversion: 24 bit/192kHz
  • 2 top panel high resolution OLED displays
  • Controller knob
  • 6 touchpads for direct selection of inputs and outputs
  • 3 assignable touchpads to control:
    • Mute Outputs
    • Dim Outputs
    • Sum to Mono
    • Clear Meters
    • Engage Speaker Set (allows monitoring of up to 3 pairs of speakers)

Pricing and Availability:
Price: $1,295 US, €1,295 EUR
Worldwide Availability: September 2012

More information:

Video description:

Apogee Quartet
The ultimate desktop studio interface and control center for Mac
Apogee Quartet is a professional USB audio interface designed to deliver the ultimate desktop recording experience to the Mac-based studio. Featuring 4 inputs and 8 outputs of Apogee’s industry-leading AD/DA conversion technology as well as 4 world-class mic preamps, Quartet bridges the gap between the 2-channel Apogee Duet and the 8-channel Apogee Ensemble.

Complete Connections
All the I/O you need with room to grow
Connect up to 4 microphones, instruments, keyboards or line inputs. Plug in your MIDI controller or keyboard. Expand with up to 8 digital inputs. Monitor and mix it all in stereo, with up to 3 sets of speakers or in 5.1 surround. Quartet is the center of the modern studio and will help you take the performance and sound quality of your projects to the next level.

Total Creative Control
Simple, powerful and easy to work with
With its ergonomic, angular design and intuitive user interface, Quartet is inspiring, easy to use and in perfect harmony with your workspace. Dual full-color screens for critical input and output details, QuickTouch pads for easy I/O selection, and a single controller knob to conduct it all, make Quartet the perfect studio control center for your Mac.

Legendary Sound Quality
Why Apogee Quartet is the best choice for your studio
Apogee is an award-winning industry leader in digital recording technology with over 25 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Quartet is built solidly on this reputation.

Highlights
Best-in-class sound quality with Apogee AD/DA converters
4 Analog Inputs with world-class mic preamps
Monitor control – up to 3 speaker sets
USB 2.0 High-speed Mac audio interface
ADAT/SMUX digital Inputs
MIDI input (USB-A type connector)
8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level
1 Independent 1/4″ stereo headphone output
2 top panel high resolution OLED displays
Controller knob
6 touchpads for direct selection of inputs and outputs
3 assignable touchpads
Quartet works with any Core Audio compatible application including: Logic, Pro Tools 9 and 10, Final Cut. Ableton Live

Magellan for iPad – What’s New in Version 1.1

September 5, 2012 · Posted in Uncategorized · Comments Off on Magellan for iPad – What’s New in Version 1.1 

Version 1.1 has arrived! They’ve added even MORE features to Magellan – the Professional Analog Modeling Synthesizer for the iPad! Our demo here shows off new 1.1 features including WIST capabilities, LFO BPM Sync, MIDI Out for the Arp and Sequencer, INIT preset, and more!

Check out our website for more info: http://www.yonac.com
Magellan on iTunes: http://itunes.apple.com/us/app/magellan/id544119998?mt=8

Factory micromac-r test from MacBeth

September 5, 2012 · Posted in Uncategorized · Comments Off on Factory micromac-r test from MacBeth 

Yet another teaser from MacBeth, all looks good apparently :-)

This is the first test that I have done of the micromac-r synthesizer since this test example came back from the assembly plant- all is good! It’s working perfectly! One hell of a lot of sound come from a very micro sized unit!

New material from French electro act THE NAME

September 5, 2012 · Posted in Uncategorized · Comments Off on New material from French electro act THE NAME 

The French act THE NAME has released a new full length album, featuring several nice analog synths analog synths (Pro One, TB 303, SH 101, Juno 60, MiniMoog, TR 707…), more details below and an exclusive teaser from the album on the Stereoklang Radio player, enjoy:

Follwing 2 renowned eps, the duo THE NAME (drums and analog keyboards) presents their first album. Resolutely Electronic, this masterpiece revolves round catchy Disco/House tracks, the technological simplicity of Rebotini, the straight lyricisms of Zombie Zombie and the effervessence of Siriusmo. Ten dancy, epic, troubling tracks, brush up a collection of dark disturbing nocturnal heroes. Personified on this project by José Reis Fontao (Stuck in the sound), Christine & The Queens, About The Girl, Richard Allen (Wolves & Moons), PopClo (We are enfant terrible), and Linda Lamb (Vitalic). Having been selected in the « Découvertes Printemps de Bourges 2012 » (emerging artists in ‘Bourges’ Festival) and regulars in the famous french TV series « Bref », where they maintain musical synchronisation. The Name continues its extraordinary momentum, alternating between musical production, remixes (Museum, Léonard de Léonard, We Are Enfant Terrible…) and firey concerts.
www.thename.fr
listen to the full album here : http://thenameband.bandcamp.com/album/numbers-facts

This WAS a Kraftwerk Sample. Make Noise Phonogene: WTF Synthesis

September 5, 2012 · Posted in Uncategorized · Comments Off on This WAS a Kraftwerk Sample. Make Noise Phonogene: WTF Synthesis 

Make Noise Phonogene and Echophon manipulating a sample from Kraftwerk’s “Boing Boom Tschak”. Totally insane!

Phonogene output is routed to a doepfer A-119 which extracts the gate signal and then is fed back into the ping input on a 4ms PEG, then those env outs are fed recursively into the phonogene, final out into Echophon then Intellijel Mutamix.

Ableton Live – SideChaining Ableton Live’s AutoFilter

September 5, 2012 · Posted in Uncategorized · Comments Off on Ableton Live – SideChaining Ableton Live’s AutoFilter 

Ableton Live sidechaining tutorial part 2: Auto Filter. Ableton’s compressor, gate, and auto filter all have side chaining capabilities. In this second part of a three part series, AfroDJMac will show how the sidechaining function on the Auto Filter works.

Music created with AfroDJMac’s Premium Ableton Live Pack: http://afrodjmac.spinshop.com

More videos of the new KORG KROME and microKORG XL+

September 5, 2012 · Posted in Uncategorized · Comments Off on More videos of the new KORG KROME and microKORG XL+ 

Introducing the Krome Music Workstation. Powerful yet affordable, Krome provides sound quality and features unheard of in its class. Experience huge, Kronos-derived acoustic piano and drum sample libraries, large electric piano libraries, and hundreds of additional sounds to jump-start your creativity. The widescreen color TouchView™ display and hands-on controls make performing or creating your music easy, fun, and inspiring. For more information, please visit www.korg.com/krome.

The next step in the legendary Micro line of synthesizers is here! MicroKorg XL+ delivers a fresh update to the sounds and look of the MicroKorg XL, making it an ideally versatile compact keyboard. It includes a reimagined palette of analog modeled sounds, PLUS new dedicated PCM for Korg’s SGproX piano and M1 organ, well-known VOX organs, and instantly recognizable “Tape” instruments. The new all-black panel ups the “New vintage” vibe that looks great on stage or in the studio.

VINCE CLARKE – The Analogue Monologues – Checking out the Korg MS20

September 4, 2012 · Posted in Uncategorized · Comments Off on VINCE CLARKE – The Analogue Monologues – Checking out the Korg MS20 

Well !!, and here’s the description:

The Analogue Monologues is a series of mini video-documentaries made by Vince Clarke (Depeche Mode/Yazoo/Erasure). In each webisode Vince talks about one of his analogue synths and explains where the on/off switch is. This series proves, once and for all, that he really doesn’t know much about anything (a must see!).

See all The Analogue Monologues in the ‘Video’ section at Vince Clarke’s official website at http://www.vinceclarkemusic.com

In it, Clarke delivers an amusing narrative, explaining that the synth has “a lot of wholes” in which a user can insert cables “to perpetuate the illusion that I’m technically brilliant and know what I’m doing”. It also features “infamous Korg imposters” (a picture of Rolf Harris) a pink rabbit vibrator, and a special function that only Aphex Twin knows how to use

Blender Game Engine with Live Midi Control

September 4, 2012 · Posted in Uncategorized · Comments Off on Blender Game Engine with Live Midi Control 

Trying again with newer version of Blender. Plus, Bomes Midi Translator to map midi to keyboard. This looks pretty simple but took a bit of figuring out, hoping I can do some cooler visual stuff with it maybe later. On the translator use “pp” as a note variable to track all midi notes to a single key on that channel for both on and off, can save a lot of mapping time instead of doing every note individually on the translator. RS7000 sounds and sequencing.

Checking out Chordion for iPad and Qneo Voice synth

September 4, 2012 · Posted in Uncategorized · Comments Off on Checking out Chordion for iPad and Qneo Voice synth 

Video description:

http://ios-music.homewoke.net
very naice apps! I played without thinking. Romantic music was born then. I recommend to those who want to start the music.

Specification:

Chordion is a new and intuitive way to make music with your iPad. Choose a chord with one hand and play melodies with the other. Never hit a wrong note!
Get it here >>
How do YOU use Chordion?
• Choose layout templates from any key or create your own.
• Customizable sound settings allow a wide range of sonic possibilities.
• Choose from a variety of chords, scales, and modes.
• Save and load preset files
• Users Manual

Voice Synth is an innovative synthesizer controlled by voice and keyboard. Available for iPad, iPhone and iPod Touch in the Apple AppStore at http://itunes.com/apps/voicesynth. All audio samples in this video have been made with Voice Synth 2.0 on iPad/iPhone, a standard Apple headset and live human speech/singing/beatboxing, without additional processing.

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