The huge, mega-classic Jupiter-8 brass

January 7, 2012 · Posted in Uncategorized · Comments Off on The huge, mega-classic Jupiter-8 brass 

The huge, mega-classic Jupiter-8 brass, often used in Italo in the early/mid ’80s.

Jupiter-8, Juno-60, TR-909 & SH-101 Italo ditty

The Jupiter 8 was Roland’s first truly professional analog synthesizer. The Jupiter 8 features 16 rich analog oscillators at 2 per voice, eight voice polyphony and easy programming! At eight voices you can get some pretty thick analog sounds. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs. The legacy of the Jupiter synthesizers is due to their unique voice architecture and design, creating sounds that were so unreal and amazing that they have to be heard! No other synths in the world can create analog sounds as cool and authentic as these.

The Jupiter 8 was the biggest and fattest of them all (Jupiters and Junos)! It was one of the first synths to allow its keyboard to be split and layered – it’s eight voices of trance heaven! Cross-mod, oscillator sync, a great LFO and a classic arpeggiator are also on-board. There’s also two killer resonant analog 24dB/oct filters with 2-pole and 4-pole settings as well as low- and high-pass filtering methods. Unfortunately for the earlier models, tuning was very unstable but that seemed to be resolved in later models. Unlike its smaller counterpart, the Jupiter 6, the Jup 8 does not feature MIDI, only Roland’s DCB sync can be found on some models. However, MIDI retro-kit’s are available from various companies. Patch presets can store keyboard splits, arpeggiator settings, voice assign mode, hold, portamento and modulation settings.

The sounds and feel of Oblique – Max for Live synth

January 6, 2012 · Posted in Uncategorized · Comments Off on The sounds and feel of Oblique – Max for Live synth 

The sounds and feel of Oblique, a Max for Live synth made for KONKREET PERFORMER.

It’s here > konkreetlabs.com/oblique/
and it’s free!

Oblique is a Max for Live synthesizer which is completely mapped to Konkreet Performer. As a regular synthesizer, it receives MIDI notes from any MIDI device. Unlike regular synthesizers, the timbre of the sound is controlled by OSC messages coming from the abstract interface of Performer.

The main idea behind the synthesizer was to avoid the use of sliders and knobs, and remove technical descriptions of the synthesis process. Being completely controlled by the main geometrical object of Performer, Oblique allows you to shape your sound without thinking about what is inside the box.

Oblique has been designed, from the beginning, to fit both the interface and the visuals of Performer. Hence, it is not a general purpose synthesizer, but more an audiovisual entity that you can shape and which will react in a certain way. Of course you can use it just for its sound, but Oblique reveals its
true nature when working hand in hand with the visuals. As an additional feature, Oblique can be controlled uniquely from Performer, without MIDI input. It means that you can play it entirely by manipulating the geometrical object, while the graphics in the background give you visual feedback.

FXpansion Tremor introduces a innovative Synthetic Drum Machine

January 6, 2012 · Posted in Uncategorized · Comments Off on FXpansion Tremor introduces a innovative Synthetic Drum Machine 

More NAMM news is coming your way :-)

FXpansion is proud to present Tremor: a software drum machine with powerful synthesis, effects, modulation and step-sequencing. DCAM circuit-modelled sound generation is fused with new ideas to produce original sounds with the punch and extreme sound pressure of old-school analogue. Tremor’s dance drums, funky beatscapes, abstract machines and undiscovered sonic terrain are suited to all kinds of electronic, urban and experimental music.

How to Make a Classic Chip Tune Videogame Sound

January 6, 2012 · Posted in Uncategorized · Comments Off on How to Make a Classic Chip Tune Videogame Sound 

Make a Classic Chip Tune Videogame Sound (Deadmau5 and Madeon Style) in NI Massive!:

“I got a few requests asking how to get that classic N64-ish sound so I decided to make a video on it. This patch is great for adding fills into your songs as shown by Madeon in many of his hits. Deadmau5 also used this chip tune sound in his track, “Meowtingtons Hax More”. I personally love this sound, though I have not yet been able to use it in my tracks… (I’m sure I will when I need to fill in my high frequencies with something).”

Endless loop – Vocodrum Modular

January 6, 2012 · Posted in Uncategorized · Comments Off on Endless loop – Vocodrum Modular 

Machines in action:

Modular Synth Clavia ddrum 4se & Nord Modular (Vocoder)
4ms Peg RCD
Alesis filtre
Analogue Systems RS 100 RS 110 RS 360
Boss RV 5 & SL20
Buchla System #1
Doepfer A 114 A133 A134 ……
flight of harmony choices
Kenton Pro solo & 2000 II
Line 6 Filter Pro
Mackie Mixer
Make Noise Maths Moddemix Optomix QMMG Wogglebug
Malekko AO Jag Uncle
Moog CP 251 FreqBox(bass) MP201
Simmons Clap Trap
Toppobrillo TWF
Logic sequence by Korg micro X arp

25.000USD for a vintage synth

January 6, 2012 · Posted in Uncategorized · Comments Off on 25.000USD for a vintage synth 

We never or very rarely tip about vintage stuff you can buy on eBay or similar type of pages, but this one deserves an exception, we believe. An original PPG Realizer!

Notice that the Palm team didn’t forget the knobs!
“This is the legendary PPG Realizer that we have all heard about. From my understanding, only two of these were made. This is one of those two. Please contact us if you are interested in buying this rarity.”

Here’s some background info on the PPG Realizer:

The Realizer was the last machine PPG produced. In fact very few were finished or released so it’s pretty rare. The Realizer was very unique in its effort to combine sound production, emulation, processing, recording, sequencing, and mixing into one all-digital system. A concept that was very much ahead of its time considering that we’re only now seeing affordable software-based devices that can offer this type of environment.

As for synthesizing sounds, the Realizer features an analog model, an FM model, wavetable synthesis, and a sampler. They were designed to show an image of a Minimoog, or other synth on their built-in monitor. Then you could control the Minimoog knobs with the controls around the screen of the Realizer. Pretty space-age stuff for 1986! Unfortunately, the price tag of $65,000 didn’t exactly make it a marketer’s dream. It was the last thing that PPG made, and they went out of business a short time later.

Want to buy it go here >>

Hot of the shelfs – New video from Moog – Introducing Minitaur

January 5, 2012 · Posted in Uncategorized · Comments Off on Hot of the shelfs – New video from Moog – Introducing Minitaur 

Moog Music has announced the release of Minitaur, the newest addition to Moog’s Taurus Bass Synthesizer family. Minitaur is a compact and powerful analog bass synthesizer that features a classic one knob per function layout. Most notably, it is the first instrument in the Taurus family that does not have foot pedals. At only 8.5″ x 5.25″ and less than 3lbs, the Minitaur puts powerful analog Moog bass into a package designed to fit seamlessly into today’s performance and production environments.

For more info, pricing and specs:
http://www.moogmusic.com/products/taurus/minitaur

Moog visited Geddy Lee in his Toronto studio to get his take on the Taurus pedals, old and new. This is the first of a 3-part series relaying touching stories and musical innovations from the start of Rush’s reigning fame to now. In this installment, Geddy talks about his first introduction to the Taurus sound and what he would like to see next from Moog…Minitaur.

Brand new video for the AKAI MPC Renaissance

January 5, 2012 · Posted in Uncategorized · 1 Comment 

As we posted on earlier today here is a new video from AKAI:

http://www.akaiprompc.com
Music by AraabMUZIK, Sean C, and LV
Fusing legendary MPC layout and workflow with the power of your computer. MPC Renaissance is an unrivaled music production instrument.
Find more information at http://www.akaiprompc.com

NAMM teaser from AKAI – MPC Renaissance Music Production Controller

January 5, 2012 · Posted in Uncategorized · Comments Off on NAMM teaser from AKAI – MPC Renaissance Music Production Controller 

Fusing Akai Professional’s legendary MPC layout and workflow with the power of your computer, MPC Renaissance is an unrivaled instrument for music production. The new flagship is a fully integrated hardware/software system: MPC Renaissance allows you to create using classic hardware controls and an integrated pop-up display, while it’s exclusive MPC Software empowers you with unprecedented, expandable production capabilities on your Mac or PC.

MPC Renaissance Hardware

  • Fuses legendary MPC production with the processing power of your computer
  • Vintage Mode changes output sound character to MPC3000, MPC60 and more
  • 16 backlit genuine MPC pads, 16 Q-Link controls, and adjustable backlit LCD screen
  • Classic MPC Note Repeat, MPC Swing and MPC transport controls
  • MPC SOFTWARE for Mac or PC with 64-track sequencing capability
  • Two XLR-1/4” combo inputs and dedicated turntable input
  • Four-channel US B 2.0 audio interface and two-port US B 2.0 hub built in
  • Up to eight pad banks―more than any other MPC ever
  • Two MIDI inputs and four MIDI outputs
  • Stereo 1/4” out, stereo assignable mix 1/4” out & S/PDIF I/O
MPC Software

  • 64-track sequencing capability
  • Massive 6GB+ sound library, including all of the sounds of the classic MPC3000
  • Instant mapping and real-time adjustment of VST plug-ins
  • Record each track as an MPC drum program, Keygroup program or VST plug-in
  • Runs standalone and as VST, AU or RTAS plug-in
  • Supports WAV, MP3, AIFF, REX and SND
  • Supports samples and sequences from any MPC ever made
  • Mac and PC-compatible

Waldorf has just released Electric Body Machinery – a new Blofeld soundset

January 5, 2012 · Posted in Uncategorized · Comments Off on Waldorf has just released Electric Body Machinery – a new Blofeld soundset 

Waldorf has just released Electric Body Machinery  – a new Blofeld soundset by Soundset Ari Ahrendt.

This punchy soundset that covers everything for electronic music of the darker kind. Highly energetic sounds for areas such as EBM, Synth Pop, Dark Electro, Future Pop, Electro Wave and Minimal Electro Pop. All sounds on highest level of musical playability, usability and inspiration. Suitable for records, studio and especially for clubs and live performance! 128 Sounds for technically wide EBM basses, melodically sawing chaos leads, boombastic drums, shiny pads and strings, as well as inspring polysynth sounds enable you to make the dance-mob shake and stomp .

Use modulation wheel at own risk!

Here is a demosong called “Dark Lights”. According to the soundcloud notes, all sounds are created with Waldorf Blofeld including all drums, effects, spheres and modulations.

Dark Lights – Waldorf Blofeld EBM Demo by ARIMUSIK

visit the Shop and get the maximum of power to your next dark synth tune!
http://www.waldorfmusic-shop.de/

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